Romantic

The Cleveland Orchestra will release a new audio recording of Anton Bruckner’s Symphony No. 4 led by Music Director Franz Welser-Möst on August 16 as it prepares to perform the work on tour in Europe later this summer.

The Munich Philharmonic have arguably given more performances of Anton Bruckner’s music than any other orchestra. A great number of Bruckner recordings led by the many legendary conductors that have worked with the Munich Philharmonic are stored in the historical archive of the MPHIL Label including magnificent pieces with Sergiu Celibidache, Christian Thielemann, Rudolf Kempe, Günter Wand and Oswald Kabasta.

Great classical repertoire, discoveries, chamber music, concert literature at the very highest level: violinist Renaud Capuçon inspires as a soloist in all areas. He celebrated the power of world harmony with Bach's concertos and the modern counterpart by Peteris Vasks, allowed styles to communicate with each other with the concertos by Beethoven and Korngold as well as Brahms and Berg, and ensured one of the most high-profile large-scale chamber music projects of recent years with a complete recording of the Beethoven sonatas. He is now continuing on this path - alongside the young, multi-award-winning Georgian pianist Khatia Buniatishvili.

The Rose Collection: A Collection of high-quality recordings of the world's greatest and most-loved classical pieces. The Rose Collection contains more than 70 titles available on both compact disc and cassette and the series is frequently being supplemented with new releases. We hope you will enjoy the music of this series and will be interested in listening.

"The 1930s are a particularly notable time for the development of Latvian music. This can be observed in the work of composers of all generations, as well as in music education, concert life, periodicals and the beauty of the Song Festivals. Throughout all these, Pēteris Barisons (1904–1947). is an active and fruitful participant. His dynamic and varied work in one area is particularly noteworthy – that is his rich and bountiful achievement in the field of symphonic music. [..] The symphony confirms both the author’s conceptual ability to transform his own complex intentions into a musically rich, but natural, organic whole, as well as his ability to use the possibilities of the orchestra in varied and rich ways. Today, with its language and message rooted in late romantic traditions, it does not at all sound outdated or anachronistic. No, it offers a universal concept in a natural, organic way, which is effective still in the 21st century." Jānis Torgāns.

A total of 63 tracks, over 11 hours of recording. Recordings with such renowned conductors as Brahms: No. 3 (Rattle), Schumann: No. 4 (Harnoncourt), Saint-Saëns: No. 3 (Mehta), Dvorak: From the New World (Kempe), Brahms: No. 2 (Keilbert), Schumann: No. 3 (Tenstedt), Mendelssohn: No. 2 (Sawallisch), Bruckner: No. 7 (Barenboim), etc. Recorded between 1951 and 2008.

A total of 63 tracks, over 11 hours of recording. Recordings with such renowned conductors as Brahms: No. 3 (Rattle), Schumann: No. 4 (Harnoncourt), Saint-Saëns: No. 3 (Mehta), Dvorak: From the New World (Kempe), Brahms: No. 2 (Keilbert), Schumann: No. 3 (Tenstedt), Mendelssohn: No. 2 (Sawallisch), Bruckner: No. 7 (Barenboim), etc. Recorded between 1951 and 2008.

EMI's 50 Best Romantic Classics is loosely organized by regions, with the first disc devoted to French music, the second to Scandinavian and Eastern European classics, and the third to music from Italy and Spain. This arrangement is quite practical for beginners, who may appreciate the music's recognizable national styles before grasping more historical or theoretical aspects. Yet some understanding is needed of the term romantic, for not all of the music included in this collection fits within the Romantic era (roughly, the 19th century, with some overlapping of the early years of the 20th).

Hyperion’s Record of the Month for April is the fourth volume in the burgeoning ‘Romantic Violin Concerto’ series. The central work on the disc is Moritz Moszkowski’s C major Violin Concerto, a full-blooded Romantic work which demands exceptional virtuosity. An increasing number of recordings, many on the Hyperion label, of this composer’s music have done much to lift his reputation beyond that of the ‘trifling miniaturist’, and the Ballade in G minor amply demonstrates how even a small canvas can aspire to advanced heights of pyrotechnic wizardry.