The Little Village Foundation run by keyboardist Jim Pugh assembled this band through Indian blues harmonica player & singer Aki Kumar, who brought drummer June Core and guitarist Rome Yamilov, deciding to make the release a "crazy guitar album" by adding Henry Kaiser; along with vocalist Lisa Leuschnet they hit the mark in an exuberantly diverse set of blues performing the music of J.B. Lenoir.
5th in Vencenzo Ricca’s Italian ‘Rome Pro(G)ject’ excellent series of mostly instrumental vintage keyboard driven symphonic Prog albums!
Following on from the universal acclaim of their latest LP "Le Ceneri Di Heliodoro", ROME releases one of the most impressive releases in its prolific career of 15 years. "The Lone Furrow" is the logical culmination of all of ROME's previous endeavours, a brilliant and patient demolition of the despiritualised modern age, timeless in its critique of man's greed and the deliberate desecration of beautiful things. ROME is back to fearlessly settle accounts of the spirit, with that grave trademark voice, whose tone can be likened to a wise-man's oracle, deepened by countless cigars and pools of stout, or, at times, a Stuka bomber nose-diving into dry gravel. ROME's art always stays slightly beyond the pale and Reuter certainly is what the mainstream would call a joyous outsider. "The Lone Furrow" is a mordant, clear-eyed critique of the modern world, spun with the delicacy of a spiderweb; a journey through the ravaged landscapes of history; a spiritual quest weaving a unique poetry of withdrawal from the troubling world into distant retreats.
Thirteen songs, and all the artists who contributed to the three previous works, now gathered in a single album. Embellished with the unmistakable sounds of Steve Hackett's electric guitars, the narrating voice of his wife, Jo Lehmann and the magical flute of his brother, John Hackett. The pianistic romanticism of the first keyboardist of the Hackett Band, Nick Magnus, the unmistakable narration of the late Francesco di Giacomo (Banco), the more than unique fretless bass by Richard Sinclair (Caravan, Camel, Hatfield and the North), the phantasmagoric winds of David Jackson (Van Der Graaf Generator), the bass "a la Squire" and more by Billy Sherwood (Yes, Circa), the fantastic electric violin by David Cross (King Crimson), plus another excellent presence: Bernardo Lanzetti (P.F.M.) introducing first vocal track ever on a TRP album.
The Rome Symphony Orchestra will make history at their next concert. For the first time in its 100-year run as the “oldest symphony in the South”, the orchestra will make a commercially available recording of a live performance. Music for a New Year: Bach, Berlioz and Beethoven.
The appointment in 1689 of Pietro Ottoboni as Cardinal of San Lorenzo in Damaso marked the beginning of one of the most splendid epochs of patronage of the arts in Rome. A passionate lover of music, Ottoboni gave his protection to numerous musicians: Handel, Pasquini, Scarlatti and Caldara all at some point worked at the cardinal’s court. A few months after his election, Ottoboni took into his service the famous violinist Arcangelo Corelli, who was employed not only as first violin and leader for the instrumental music, but had complete control also over the sumptuous musical events.
This is the Atlanta Symphony Orchestra conducted by Louis Lane 'Respighi: Pines of Rome; The Birds; Fountains of Rome' released on Telarc Records in 1985.
111 minutes of Sun Ra recorded on March 28, 1980. This concert heavily features Sun Ra's piano, surrounded by lots of vocals and tasteful horns. From solo blues and lounge on up to a soaring ten-piece big band sound. Of such high recording quality that it sounds like a missing studio album!
The postwar recording sessions included in this budget-priced boxed set are the last ones Django Reinhardt made with violinist Stephane Grappelli. The remaining original members of his acclaimed Quintette du Hot Club de France had departed already, and on the first three of these four discs the guitarist and violinist are accompanied by a trio of Italian musicians: pianist Gianni Safred, bassist Carlo Pecori, and drummer Aurelio de Carolis. (The recordings on the fourth disc, which date from 1950, are credited to the Quintette du Hot Club de France, but by that point Grappelli had been replaced by alto saxophonist and clarinetist Andre Ekyan and the remaining three musicians comprised a standard piano trio – an instrumental configuration far removed from that of the original quintet.)