4CD set. Collects six original albums including "Ronnie Scott & Tony Crombie at The Royal Festival Hall", "Tubby Hayes & The Jazz Couriers", "Presenting The Ronnie Scott Sextet", "Jazz Couriers In Concert", "Couriers Of Jazz" and "The Last Word", plus rare BONUS cuts.
Multiple Grammy Award winner, Norah Jones, plays an exclusive sold-out show at the world-famous Ronnie Scott’s Jazz Club in London. This wonderfully intimate live performance film sees Jones return to the piano, accompanied on stage by drummer Brian Blade and bassist Chris Thomas to form a classic jazz trio…
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Recorded during pianist Bill Evans' last visit to England (less than two months before his death), Evans is heard with one of his finest trios on Letter to Evan, the unit with bassist Marc Johnson and drummer Joe La Barbera. The recording quality of the live set (recorded at Ronnie Scott's) is excellent, and Evans is in surprisingly enthusiastic and creative form; there is no hint that the end is near. Highlights of the very worthwhile release include "Days of Wine and Roses" (which alternates back and forth between two keys), "Knit for Mary F.," and "Stella by Starlight." Easily recommended for true Bill Evans fans.
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Over the last few years, just as jazz fans had thought that CD collections of their favorite iconic jazz musicians were “complete” (since the legendary artists had been deceased for decades), we have been treated to welcome releases from European sources of previously unreleased material. The latest bonanza comes from CAP (Consolidated Artists Productions), of never before heard recordings of Dizzy Gillespie’s Quintet from a two week engagement in August, 1973, at Ronnie Scott’s club in London. (CAP is owned by the quintet’s pianist, Mike Longo.)
Live at Ronnie Scott's is the third official Resonance release of previously-unissued recordings of the Bill Evans trio with Eddie Gomez and Jack DeJohnette. The nearly 2 hours of music has been remastered from the original tape reels. Live at Ronnie Scott's was captured in July of 1968. On the cover of this deluxe 2CD set is a never-before-published drawing by artist and illustrator David Stone Martin. Package includes an extensive booklet with rare photos, essays and interviews.
Recorded just a year before his death, this English album (releasing previously unknown music for the first time in 1986) is about the only one released from Bobby Jaspar's final four years.
This 1986 release finds the legendary trumpeter/singer at the end of his career. However, his inimitable style remains lucid and expressive. On this date, Baker plays a varied program, including uptempo Baker favorites "But Not for Me" and "If I Should Lose You." Baker was also one of the great balladeers of his generation, and even here, at the end of his life, his trumpet playing is unmistakably lyrical and "cool" on the soft-spoken and plaintive version of "You Can't Go Home Again." His mournful phrasing on the bossa nova-tinged "Arboway," highlights the trumpeter's fondness for breathy playing in the lower register of the instrument.