Duke Robillard is one of the founding members of Roomful of Blues, as well as one of the guitarists who replaced Jimmie Vaughan in the Fabulous Thunderbirds in 1990. Between that time, Robillard pursued a solo career that found him exploring more musically adventurous territory than either Roomful of Blues or the T-Birds. On his solo recordings, the guitarist dips into blues, rockabilly, jazz, and rock & roll, creating a unique fusion of American roots music.
New England blues guitarist Ronnie Earl has spent his recording career, which began in 1979 when he replaced Duke Robillard in Roomful of Blues, flirting with his own hybrid brand of blues/jazz/R&B, and his elegant solos on guitar always seem on the edge of breaking out into a whole new category, although they never quite do, and he remains an excellent guitar player who suggests possibilities more than he actually reaches them. This isn't necessarily a bad thing, as this collection of tracks drawn from his solo work at the Black Top, Bullseye, Telarc, and Stony Plain labels clearly shows. Spanning 1983 to 2005, The Best of Ronnie Earl brims with joyful guitar leads that remind us that the blues is really more about freedom, deliverance, and breaking loose from problems of constraint than it is about moaning and groaning and waking up in the morning with trouble in mind…
After 35 years and the release of over 2800 contemporary blues tracks, it's safe to say that Bruce Iglauer's Alligator Records is the world's premier blues label, particularly if sheer numbers are factored in, and while the label's releases tend to sound mind-numbingly similar sometimes, this two-disc overview of Alligator's history shows how much raw vitality the blues still has in its tank. Alligator Records 35X35, arranged chronologically and featuring a selection drawn from each of the artist's debut albums with Alligator, gets rolling right where it all began, with Hound Dog Taylor's "She's Gone" from 1971, and marches through to 2004, closing the second disc with a stunning version of "See That My Grave Is Kept Clean" (here called "A Dying Man's Plea") by the great Mavis Staples, who makes clear the deep affinity of gospel to the blues, or vice versa, since the two forms philosophically complete each other, the way Saturday marches straight into Sunday.
Robillard, both a good blues guitarist and knowledgeable swing player, displays his rocking side on this '88 date. There are flashier solos, more uptempo cuts, and an aggressive, frenetic quality that's missing on Robillard's jazz-oriented releases. Duke Robillard is an award-winning American blues, roots rock, and jazz guitarist. His warm, silvery, vintage sound and clean playing style evoke the entire history of blues, jump R&B, swing, and proto rock & roll. A globally renowned guitarist, Robillard is a singer, songwriter, bandleader, producer, and a first-call session player. A founding member of Roomful of Blues, he cut the roots-rocking Duke Robillard and the Pleasure Kings in 1983. He replaced Jimmie Vaughan in the Fabulous Thunderbirds in 1989 and remained through 1993.
The title is bound to confuse (and possibly annoy) some blues purists. Except for a handful of straight blues numbers – including one of the most heartfelt T-Bone Walker tributes ever in "Duke's Mood" – Duke Robillard Plays Blues: The Rounder Years is mostly a rock-oriented anthology drawn from the post-Roomful of Blues but pre-Fabulous Thunderbirds stage of Robillard's career. No bonus tracks or previously unissued takes – just reissued material culled from four albums released on Rounder between 1983 and 1991. (Note that Robillard's "Rounder Years" also produced some fantastic swing music, but you won't find any of it here since it's been allocated to the sister compilation Duke Robillard Plays Jazz: The Rounder Years.) The '80s were an interesting decade for Robillard, as he took on a more stripped-down, roots rock (but still bluesy) approach with his trio, the Pleasure Kings, and then headed into that contemporary blues-rock zone often associated with the Fabulous Thunderbirds and Stevie Ray Vaughan.
Calling All Blues, the new album from two-time Grammy nominee and multi Blues Music Award winning guitarist Duke Robillard. Recorded fresh off the heals of touring as the guitarist with Bob Dylan's band, Duke Robillard's 2014 CD, Calling All Blues, is a collection of mostly new blues material by one of the genre's best and most creative artists. Robillard is joined by the horn section from Roomful Of Blues, the band he founded in 1967, on four songs. In a career spanning over four decades Duke has also worked with Tom Waits, Fabulous Thunderbirds, and dozens of blues legends.
Robillard, ex-Fab Thunderbird and founder of Roomful of Blues, hits a cool-rockin' groove on the opening, "Midnite Cannonball", and rides it with style, chops and hot horn riffs through the closing 11-minute jam on the late Albert Collins', "Dyin' Flu". A fine mix of originals and classics.