Roy Eldridge Montreux

Eldridge's final recording as a leader is a real gem. Although his chops were no longer in prime form, he was still pushing himself to the limit. With a brilliant rhythm section egging him on (pianist Oscar Peterson, bassist Niels Pedersen, and drummer Bobby Durham), Eldridge still went for the high notes (and generally hit them) during this exciting set from the 1977 Montreux Jazz Festival. Although the musicians did not know it at the time, the last two songs ("Perdido" and "Bye Bye Blackbird") were a perfect ending to a brilliant career.

Putting competitive trumpeters Dizzy Gillespie, Roy Eldridge, and Clark Terry and an Oscar Peterson Trio with bassist Niels Pedersen and drummer Louis Bellson together before a live crowd at the Montreux Jazz Festival was a typically inspired idea by producer Norman Granz. The trumpeters bring out the best in each other on "There Is No Greater Love," "On the Alamo" and "Indiana," although Peterson does not let himself get upstaged during this exuberant jam session.

From Norman Granz's marathon series of performances recorded at the 1977 Montreux Jazz Festival, this set finds Count Basie fronting a jam session featuring trumpeter Roy Eldridge, altoist Benny Carter, Zoot Sims on tenor and the trombones of Vic Dickenson and Al Grey. Despite the possibility of being overcrowded, a bit of planning by Basie made this into a very coherent set with a blues, a long ballad medley and the closing "Jumpin' at the Woodside." Lots of nice moments.

Сlark Terry's 1977 studio date with an orchestra conducted by Peter Herbolzheimer might very well fall into the easy listening category were it not for his brilliant improvisations on fluegelhorn, which he plays throughout the session. Most of the material consists of classic songs that Terry was undoubtedly very familiar with by the time of this 1977 recording, including "Misty," "Willow Weep for Me," "Angel Eyes," and "Yesterdays," with the arrangements all having pretty much a low-key, late-night feeling, hence the album title. Producer Mike Hennessey co-wrote "November Song" with Willi Fruth, a ballad with swirling strings; and Herbolzheimer contributed "Clark After Dark," a tasty blues that is a good deal looser than most of the rest of the album, which also features great solos by pianist Gordon Beck and trombonist Dave Horler, as well as some great muted horn from Terry…