Roy Haynes has had a long career, and the generically titled The Roy Haynes Trio featuring Danilo Perez and John Patitucci is a long CD, approaching 70 minutes, that attempts to recap that career in the form of new performances and, to a surprising extent, succeeds. The drummer had just turned 74 when this album was released, and had been recording since the 1940s. He took the opportunity of this collection with a new trio, which contained both studio and live recordings, to look back over that period by choosing tunes associated with many of the musicians he had worked with over the years. His tenure in Bud Powell's Modernists septet was recalled in the opening number, Powell's "Wail," which also served the purpose of establishing right off the bat that Haynes was still drumming with his usual power and aggressiveness…
Here you have three absolutely breathtaking jazz performers locked into a studio for a day or so. From this combination of guitar, standup bass, and acoustic drum kit, you've got nine tracks of sheer jazz joy – three guys just blowing for the hell of it, recorded on the fly. There's a strong sense here that engineer Rob Eaton probably tried to get everybody properly set up and balanced before the session started and just gave up when everybody started playing. It's a delight to hear, because everything has gone into the performance, which is spontaneous and graceful – no going back for the next take here. Pat Metheny's playing is definitely modernistic, highly fluid, almost liquid lightning – no effects boxes here, though (he does play Synclavier on the last track, "Three Flights Up," but it's great anyway). Roy Haynes, likewise, should be heard by anybody wanting to get behind the traps: this man has a sense of humor, and he's a blur of motion. Dave Holland, on bass, is no slouch either, keeping pace with Metheny's guitar lines, and balancing up against Haynes' drums. Together, these guys are incredible.
Legendary drummer Roy Haynes joined alto saxophonist Charlie Parker's band as a teenager and some fifty years later, presents us with a ceremonial to the late, great be-bop giant. Beginning with a cast of elder statesmen such as the leader and, to a lesser extent, bassist Dave Holland, the drummer rounds out his band with an aggregation of younger talent in what might be considered an all-star gathering. ~ AllAboutJazz
This splendid-sounding CD reissues a 1962 set from the Roy Haynes Quartet – which, at the time, consisted of Haynes, Henry Grimes on bass, Tommy Flanagan on piano, and Roland Kirk on saxes, manzello, stritch, and flutes. The album is a delightful mix of techniques in arrangement and performance, with all of the musicians delivering terrific work ~ AllMusic