Royal Wedding

The royal wedding of Prince Harry and Meghan was a beautiful success. An American biracial woman carried the dreams of all little girls of one day having a prince to be their groom. Love transcends social, political and racial impediments that produce two lovely and well-deserved people a chance to show the world that love wins.

From the #1 New York Times bestselling author of the Princess Diaries series, comes the very first adult installment, which follows Princess Mia and her Prince Charming as they plan their fairy tale wedding—but a few poisoned apples could turn this happily-ever-after into a royal nightmare.

The story sees brother and sister Tom and Ellen Bowen as stars of a show Every Night at Seven, a Broadway success. They are persuaded to take the show to London, capitalizing on an imminent royal wedding. On the ship, Ellen meets and quickly falls in love with the impoverished but well-connected Lord John Brindale. Whilst casting the show in London, Tom falls in love with a newly engaged dancer, Anne Ashmond. Tom assists Anne to reconcile her estranged parents and also asks his agent to locate Anne's supposed fiancee in Chicago – only to discover that he's married. Carried away by the emotion of the wedding, the two couples decide that they will also be married that day.

Composed for the 1744 celebrations at Drottningholm Palace of the marriage between the Swedish crown prince Adolf Fredrik and Lovisa Ulrika of Prussia, Johan Helmich Roman's Drottningholm Music is a key work in Swedish art music. Consisting of 24 individual movements, it forms an inventory of short pieces suitable for providing the proper musical ambience for the royal celebrations, which took place over four days. As befitted the occasion, the character of the music is buoyant and witty, and when the atmosphere occasionally veers away from the carefree, it is towards a graceful melancholy rather than grief or pain. This also conforms to the spirit of the time, as does the style of the music itself: varied and brimming with ideas, but never weighed down by dry learnedness or disproportionate displays of emotion. Roman had spent formative years in London in the 1710s, and in the 1730s made a long journey throughout Europe, absorbing the new, ‘galant' currents in music. Although by 1744 he was suffering from failing health, he was at his peak as a composer, and in this sparkling and joyful music he demonstrates both his innate talent and the impressions gathered from music by composers such as Sammartini and Leonardo Leo.