Ruby Soul

Ruby Vroom was one of the great debut albums of the '90s. It was an invigorating, refreshing blend of relentlessly funky beats and downtown beatnik hipster and jazz sensibilities that came around when grunge was the order of the day. Despite the hip-hop/funk heroics of the rhythm section (Sebastian Steinberg on upright bass and Yuval Gabay on drums), M. Doughty's funky white-boy pose came less from hip-hop than the rhythms and cadences of the performance poetry scene. He can be introspective and yearning, as in "True Dreams of Wichita" or "Janine," and has a feel for cinematic description, but more often delivers with the sly wink of a real smart ass. Also, his performance-poetry background means his phrasing and timing are impeccable. Doughty's guitar playing is quite spare, but careful listening will reveal more buried in the mix. The secret weapon of the band, and what really sets them apart is the keyboard/sampler playing of Mark de Gli Antoni. He not only set the bar for sampler players in the pop world, but in the decade since Ruby Vroom was released, no one has even come close to his mixture of inventiveness and musicality.

Gato Barbieri - Ruby, Ruby (1977) {Verve Originals 0602517426696}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 298 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1977, 2007 Verve | 0602517426696 | Verve Originals Series
Jazz / Latin Jazz / World Fusion / Saxophone

Charming and romantic fit the description of Gato Barbieri and the work he presents here, the album Ruby, Ruby. The production of the record, mastered and engineered handsomely by Herb Alpert, is very lush and beautiful to a lasting degree. Barbieri turns his first song, "Ruby," from an early-on haunting love ballad to an appealing and gripping all-out Latin jam session. This theme happens to find itself playing roles several times over throughout the record. The musicianship explored is captivating and adventurous, taking the listener on a passionate journey to whatever part of the soul he or she wishes to find or dares to pursue.

Soul Coughing's second album, Irresistible Bliss, finds the band cutting away some of their eccentricities, leaving behind the bare basics of their pseudo-bohemian fusion of jazz, hip-hop, performance art, and alternative rock. Theoretically, the album should be more accessible; in practice, it is simply less involving. Though some engagingly quirky, off-center avant-pop remains, there are no jarring juxtapositions as satisfying as those that dominated Ruby Vroom, with its melded samples of Howlin' Wolf and the Andrews Sisters. There's enough strong music on Irresistible Bliss to suggest that the album is merely a slight sophomore slump, but that still doesn't make the long stretches of tediousness on the album any more forgivable.

Ruby Andrews dropped her first single on Zodiac Records 31 years prior to this 1998 Ripete CD. Three decades later, the sweet innocence evolved into Ms. Hip Shakin' Mama, a mature woman who has been to heartbreak hell and back many times….