Mosaic Select is a jazz reissue series of numbered limited-edition releases that focus on an artist's important but neglected work in a 3 CD set.
The music on Mosaic Select 14 was recorded live at the Keystone Korner, San Francisco, between May 13, 1978, and March 27, 1979
Throughout his career, vibraphonist Bobby Hutcherson has recorded one rewarding set after another, always being quite consistent. This date (which as usual can be considered advanced hard bop) finds Hutcherson (who doubles on marimba) interacting with saxophonist Ralph Moore (heard on tenor and soprano), pianist Buddy Montgomery, bassist Rufus Reid and drummer Victor Lewis. Together they perform four of Hutcherson's unpredictable originals plus a trio of standards (including "Come Rain or Come Shine"). Fine music.
A solid and eminently likeable mainstream affair, The Observer scarcely hints at Irabagon's avant-garde credentials, focusing instead on his tastefully virtuosic capabilities as a straight-ahead stylist—yet another facet of his wide-ranging artistry.
Trumpeter Tim Hagans and drummer Peter Esrkine and the Norrbotten (Sweden) Big Band's last release - Worth the Wait was one of our favorites (see our review here and the boys are back with a brand new album of exciting Hagans-penned big band composition. This time they have upped the ante with the addition of several guest stars - occluding tenor saxophonist George Garzone, trumpeter Randy Brecker, soprano saxophonist Dave Liebman, bassist Rufus Reid and guitarist Vic Juris(on one track). The Norrbotten Big Band is known throughout Europe as one of the more adventurous ensembles on the current scene.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. The "Joe" here is Dutch tenorist Joe Van Enkhuizen, who's a great fit with a trio that features Horace Parlan on piano, Rufus Reid on bass, and Al Harewood on drums! The album's got that subtle approach that marks Parlan's later years – a less all-out style than his start on Blue Note, but one that's maybe even more rewarding if you're willing to let yourself slide into it – something that's easy to do when you've got Joe pointing the way with his well-blown, raspy-edged tenor! Reid is mighty nice too – with those instantly-deep notes that always grab us strongly when he's recorded this well – the sort of presence that most other bassists would need to be electric to reach. Titles include "Alfie's Theme", "Bluesville", "FSR", "Wadin", and "Willow Weep For Me".