Few bands warrant, let alone deserve, a three-volume retrospective. Rush, however, make the case. As a concern, Rush are still going strong – perhaps stronger than ever as a live attraction – and their studio albums in the 21st century have been as heavy as anything they've ever cut, and very consistent in terms of quality. Rush have issued many compilations, but this makes three that bear the title Retrospective. The first volume covered the years 1974-1980, which addressed the period between their self-titled debut long-player and Permanent Waves; the second covered 1981-1987, bookmarked by the recordings Moving Pictures and Hold Your Fire; and this set covering 1989-2007 tracks the full-lengths Presto through Snakes & Arrows…
This recording session was not released until five years after it was done. One can imagine the tapes practically smoldering in their cases, the music is so hot. Sorry, there is nothing "wrong" about this blues album at all. Otis Rush was a great blues expander, a man whose guitar playing was in every molecule pure blues. On his solos on this album he strips the idea of the blues down to very simple gestures (i.e., a bent string, but bent in such a subtle way that the seasoned blues listener will be surprised). As a performer he opens up the blues form with his chord progressions and use of horn sections, the latter instrumentation again added in a wonderfully spare manner, bringing to mind a master painter working certain parts of a canvas in order to bring in more light.
Italy's Måneskin make their bid for global pop domination with their third album, 2023's pulse-pounding Rush! While they sound like a sleazy garage rock band from New York circa the early aughts, they are best known for winning the Eurovision Song Contest 2021 for Italy with the song "Zitti e buoni." Prior to that, they teed up their breakthrough Eurovision run with a second-place finish on Italy's X Factor in 2017. All of which is to say that, while they can really and truly rock (devil horns and all), Måneskin aren't afraid to play in the tasteless, campy machinery of the modern pop landscape. In fact, on Rush! they explicitly frame themselves within a sleazy, globe-trotting world of decadent partying, sexy models, and raw overindulgence – all delivered with a kohl-eyed wink and a firm tongue in cheek.
Retrospective, Vol. 1 (1974-1980) was designed to replace the double-disc set Chronicles, and it is, in fact, a better compilation than its predecessor…
After flirting (albeit mildly) with alternative rock on Counterparts, Rush returns to classic progressive rock on Test for Echo. Cutting back many of the AOR production flourishes that hampered most of their late-'80s and early-'90s releases, the band concentrates on the sounds and styles that made albums like Moving Pictures huge successes in the late '70s and early '80s. Test for Echo is all instrumental gymnastics and convoluted song structures, all of which demonstrate each member's skills…