Ruskaval Argo Universal

Sonny Stitt - Sonny Stitt (1958) {Argo--Universal Japan UCCU-9746 rel 2011}

Sonny Stitt - Sonny Stitt (1958) {Argo–Universal Japan UCCU-9746 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 234 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar | 24bit remaster
© 1958, 2011 Argo / Verve / Universal Japan | UCCU-9746
Jazz / Bop / Bebop / Saxophone

A record with a simple, elegant title – and a similar cover image too – but if you know Sonny Stitt, you know there's often plenty beneath the surface, and this classic Chess Records has plenty to offer, once you start listening! The album's right up there with Sonny's work for Roost – in terms of straight, strong, confident blowing – remarkably subtle, but also remarkably well-conceived, and proof that by the end of the 50s, Stitt had really matured greatly as a player – bringing so much to bear in very short space, and really coming up with imaginative solos in the process! The group's a quartet with Barry Harris on piano – but Stitt's the main focus on this set, and for good reason.
Frank Foster - Basie Is Our Boss (1963) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9979}

Frank Foster - Basie Is Our Boss (1963) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9979}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 215 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 160 Mb | 5% repair rar | 24-bit remaster
© 1963, 2013 Argo / Verve / Universal Japan | UCCU-9979 | Argo LP 717
Jazz / Hard Bop / Saxophone

Tracks have a nice rolling feel, and the group is very comfortable with each other. Foster's tone is excellent. “….this is a great, great record; a very swingin', soulful, and I dare say slightly modal side from the great sax man Frank Foster, long time sideman and musical director of the Count Basie organization. …..Foster has assembled a very competent and skillful support crew, mostly former and then current Basie sideman (which accounts for the title of the LP: 'Basie is Our Boss…) but he is also supported by a great favorite of this blog; the unheralded John Young on piano. Unusually for an Argo side, there are only 6 tracks on this LP, as Foster & company are given a rare opportunity to stretch out and tackle the material.
The Jazztet and John Lewis ft. Art Farmer and Benny Golson (1961) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9749}

The Jazztet and John Lewis ft. Art Farmer and Benny Golson (1961) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9749}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 107 Mb | 5% repair rar | 24-bit remaster
© 1961, 2013 Argo / Verve / Universal Japan | UCCU-9749
Jazz / Bop / Hard Bop / Cool

Features 24 bit remastering and limited edition. Release Date: December 04, 2013. The idea of the Jazztet playing arrangements by John Lewis written especially for them is intriguing. According to Gene Lees' liner notes, Art Farmer first approached Lewis about writing something for the sextet, to which the composer replied that he'd rather score an entire record. Even though the Jazztet and Lewis' own group, the Modern Jazz Quartet, are dissimilar in many ways, the marriage is a successful one.
The John Young Trio - A Touch Of Pepper (1962) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9742}

The John Young Trio - A Touch Of Pepper (1962) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9742}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 215 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 128 Mb | 5% repair rar | 24-bit remaster
© 1962, 2013 Argo / Verve / Universal Japan | UCCU-9742
Jazz / Cool / Hard Bop / Piano

One of the few sides ever recorded as a leader by Chicago soul jazz pianist John Young – a tasty trio set with just the right touch of pepper! The tracks are short and lively, very much in the mode of other Chicago trio players – like John Wright or Ramsey Lewis – and most of the tunes have a nicely rolling groove, thanks to great backing from from Sam Kidd on bass and Phil Thomas on drums – both of whom echo strongly the great Chicago groove going on at the time. The album also features a strong mixture of originals and upbeat standards – with titles that include "Joey", "In Other Words", "Blues Oreenee", "The Bridge", "Serenata", and "Search Me".