Russian

This remarkable album marks the recording debut of German violinist Julia Fischer as well as the beginning of her extraordinary partnership with Russian-born conductor Yakov Kreizberg, which would result in numerous PENTATONE releases before the conductor’s untimely death in 2011. Together they tackle three Russian violin concertos which have been tragically overlooked, shedding new light on these masterpieces.

Gnosis is the highly anticipated 8th full length from Russian Circles.

Gnosis is the highly anticipated 8th full length from Russian Circles.

This is the 21st album by this orchestra on Pentatone, most of which have received the highest critical acclaim. In particular, the recordings of Russian repertoire conducted by Russian conductors are artistically and commercially successful.

One thing you'll appreciate soon after you begin listening to this recording of Russian sacred Christmas music is how different Russian Orthodox Church traditions are from their Western counterparts. We are brought in touch with these differences only because of the remarkable efforts of Anatoly Grindenko and his Russian Patriarchate Choir, who nearly single-handedly restored ancient Orthodox liturgy to modern practice. This recording presents both monophonic and polyphonic chants, here recorded for the first time, which were used in various Russian monasteries during the 16th and 17th centuries. You won't recognize anything "Christmasy" here–the chants are specifically Russian, complete with drones and lots of open fourths and fifths, and follow the form of a service known as the "Vigil of the Nativity of Christ."

Anatoly Grindenko is one of the most important musicians working in the field of early Russian chant. With the male-voice Moscow Patriarchal Choir (amongst other groups) he has over the last few years brought new standards to the interpretation of the important but largely unfamiliar sixteenth- and seventeenth-century repertoire. This anthology is made up of chants from the Vigil Service (that is, Vespers and Matins) and a shorter selection from the Liturgy of St John Chrysostom.

This remarkable album marks the recording debut of German violinist Julia Fischer as well as the beginning of her extraordinary partnership with Russian-born conductor Yakov Kreizberg, which would result in numerous PENTATONE releases before the conductor’s untimely death in 2011. Together they tackle three Russian violin concertos which have been tragically overlooked, shedding new light on these masterpieces.

Founded by Anatoly Grindenko in the Holy Trinity Sergius Lavra monastery, near Moscow, the Moscow Russian Patriarchate Choir was created in 1980. Following tradition, it is composed of 12 to 13 members. The singers were all eminent researchers, passionate about the repertoire of compositions for male voices, from the religious music of the Orthodox Church to the lay songs of the final years of the Soviet regime. At the time, the choir spent several years deciphering ancient manuscripts and giving representations of works that had until then been in the shadows, sometimes for centuries. With the collapse of the USSR, the choir was able to open up to the world and perform in Europe and America, exposing its music to a much larger public.