S.w.à.t.

The pan-continental Chamber Choir of Europe recorded a number of Mozart works for the Dutch budget label Brilliant as part of a large Mozart edition, and these performances have been reissued several times, singly and in groups. The choir always has an attractively clear sound that comes from the youth of its members, and this is one of the group's most distinctive if not necessarily one that will appeal to every listener. Conductor Nicol Matt generally falls close to the middle of the road, but here he runs counter to type among recordings of Mozart's "Great" Mass in C minor, K. 427. The modest dimensions he gives the work, aided by close-up microphone placement that brings out individual voices in the group, are fresh and cogently thought out.

The pan-continental Chamber Choir of Europe recorded a number of Mozart works for the Dutch budget label Brilliant as part of a large Mozart edition, and these performances have been reissued several times, singly and in groups. The choir always has an attractively clear sound that comes from the youth of its members, and this is one of the group's most distinctive if not necessarily one that will appeal to every listener. Conductor Nicol Matt generally falls close to the middle of the road, but here he runs counter to type among recordings of Mozart's "Great" Mass in C minor, K. 427. The modest dimensions he gives the work, aided by close-up microphone placement that brings out individual voices in the group, are fresh and cogently thought out.

Still Not Black Enough is the sixth studio album by W.A.S.P., first released in June 1995 in Japan only. It was not released in the U.S. until August 1996 through Castle Records. Still Not Black Enough was originally slated for release as a Blackie Lawless solo album, but due to the heavy content, Lawless changed his mind and decided to release it as a W.A.S.P. album. This had also been the case for the previous album, The Crimson Idol.