Sourced from the Original Analog Master Tapes for Audiophile Sonics. Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.
…Challenge Classics' Die Schöne Mullerin with Christoph Prégardien and Michael Gees is a recording worthy of taking pride of place on the shelf alongside such "classic" versions as those by Richard Crooks, Aksel Schiøtz, and Dietrich Fischer-Dieskau, and is in considerably better recorded sound than any of them.
Eine exklusive Sammlung herausragend klingender Aufnahmen aus dem Hause MDG - Musikproduktion Dabringhaus und Grimm von Heinrich Schütz bis Johannes Brahms - vom Solo-Klavier bis zum großen Sinfonieorchester.
Sourced from the Original Analog Master Tapes for Audiophile Sonics. Originally intended as a clever poke at the era's trends that critics maintained were making the band irrelevant, the title of and music on The Long Run continue to prove the Eagles got the last laugh. Created in the wake of the group's demanding tour for the blockbuster Hotel California, the 1979 record ultimately became the final record the Eagles would create for nearly three decades. Stacked with first-rate material and three mammoth singles, the seven-times-platinum effort ensured the Eagles never drifted far from the public's consciousness.
Aja — Steely Dan's landmark sixth studio album reissue. Hybrid Stereo SACD release from Analogue Productions. Mastered by Bernie Grundman from an analog, non-Dolby EQ'd quarter-inch 15 ips tape copy.
…But even compared with the LSO's fervent performances of the Sibelius symphonies with Davis in the '90s cannot compare with the fire of these 2003 recordings of the Third and Seventh. With the LSO's passionate virtuosity behind him, Davis creates nuanced but powerful performances, performances that are detailed yet sweeping, lyric yet epic, but, above all, loving. Davis and the LSO's Third is light but shot with shadows, poised but relentless, mysterious but triumphant. The Seventh is the sun cresting the snow-capped mountains, the wind rushing down from the peaks, their song soaring in the high, sharp air. Even though Davis does hum, anyone who loves Sibelius will have to hear these performances.
Vibraphonist Cal Tjader is in typically fine form on this live set from 1968. His quintet at the time featured Armand Perazza on congas and pianist Joe Kloess and his repertoire ranged from Afro-Cuban jazz to occasional straightahead tunes. Six of the eight selections on this date are originals by band members or Gary McFarland. Although Tjader had been playing this style of music for 15 years by this time, he still was quite creative and enthusiastic, and is heard throughout in excellent form.
The Look of Love is the sixth studio album by Canadian singer Diana Krall, released on September 18, 2001 by Verve Records. It became Krall's first album to top the Canadian Albums Chart. In 2002, the album earned Al Schmitt the Grammy Award for Best Engineered Album, Non-Classical. Jim Santella of All About Jazz commented "Lush strings and gliding flutes surround Diana Krall's tender vocals. Even her substantial piano interludes take on the appearance of drifting mists, through the mix of orchestral timbres. With an emphasis on her sultry vocal interpretations, the latest album reaches out to a broad, popular music audience. Nothing wrong with that. It's just that jazz fans usually want the improvised licks along with their melodies…