Sade made a strong comeback in 2000 with Lovers Rock, her first album in eight years. She sealed the deal in 2002 with Lovers Live, a collection of performances from her very successful summer tour. It's proof that Sade hasn't lost a note and her fans haven't missed a beat. Above all things, the record is smooth. Sade's new songs mix seamlessly with classics from every stage of her career. An energetic eight-piece band breathes new life to the old tunes and offers another look at the Lovers Rock material. The highlight, of course, is Sade's intoxicating voice and it's clear that the audience is under her spell from her first breath. Lovers Live is a sum greater than any one of its parts, but there are some standout moments, like the rocking version of "Paradise," "The Sweetest Gift" (a song written for her daughter), and a haunting rendition of "Jezebel." Even though the recordings were taking from various performances throughout the tour, the album feels like one cohesive performance and makes for a great listen all the way through.
"Promise" is the second studio album by English band Sade, first released in the United Kingdom on 4 November 1985 by Epic Records and in the United States on 15 November 1985 by Portrait Records. Upon release Promise was met with acclaim from music critics. Commercially the album was a success peaking at number one on both the UK Albums Chart and the US Billboard 200, the album was later certified multi platinum in both regions. Promise became the band's first album to top the album charts in both the United Kingdom and the United States.
Sade’s longest absence yet did not prevent their return from being an event. It at least seemed eventful whenever “Soldier of Love,” released to radio a couple months prior to the album of the same title, was heard over the airwaves…
Sade's fourth album, Love Deluxe, included the hit "No Ordinary Love" and marked a return to the detached cool jazz backing and even icier vocals that made her debut album a sensation. Although Sade's style is more suggestive than hypnotic and her production and arrangements are in an urbane mode rather than a jazz one, she maintained her popularity among the fusion and urban contemporary audiences. This release also includes "Mermaid," "Pearls," and "Feel No Pain."