Santana

This set forms exactly the period in which Santana was most influenced by jazzrock, starting whith the supreme coherent Caravanserai,then joining John McLaughlin on Love Devotion Surrender, followed by Welcome, in fact the best of the set, although less coherent in the sense of being an album: the tracks are very different in style, but are all very good!…

This second volume in Sony's EU Original Album Classics series looks at five albums over a ten-year period. The first four of these – Inner Secrets, Marathon, Zebop, and Shango – catch the band during a renaissance of singles and a decline in album sales in the marketplace…

Taking the stage at Woodstock, Santana was a little-known Latin rock group from San Francisco. When they walked off, they were an undeniable legend. The appearance was a perfect prologue to the debut, self-titled album that followed just weeks later. 1969 was an epic year Santana - their groundbreaking album and the performance at Woodstock would define them and their virtuosic guitarist, Carlos Santana, for years to come.

Santana is the third studio album by the American rock band Santana, released on September 24, 1971, by Columbia Records. The band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. The album was also known as Man with an Outstretched Hand, after its album cover image. It was the third and last album by the Woodstock-era lineup, until their reunion on Santana IV in 2016. It was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz fusion and Latin music. The album also marked the addition of 16-year-old guitarist Neal Schon to the group.