Sdg 13

Thirty years on from their acclaimed recording for Erato, Sir John Eliot Gardiner and the Monteverdi Choir return to the Bach Motets in a new SDG recording, taken from a concert in London last year at the end of a tour which saw performances in Italy, France, The Netherlands and Germany. The Motets can be seen as some of Bach’s most perfect and hypnotic compositions. Through their extraordinary complexity and density, they require exceptional virtuosity and sensitivity of all the performers. Each of them is endlessly fascinating, and each inhabits its own sound world, Bach's masterful use of canon, fugue and counterpoint, the brilliant exploitation of double-choir sonorities are perfectly matched by the Monteverdi Choir's virtuosity.

"In Spring 2019, the Monteverdi Choir and English Baroque Soloists, led by John Eliot Gardiner, presented a critically-acclaimed European tour of Handel’s opera 'Semele', including Alexandra Palace Theatre in London, where this live recording took place. Semele had not been performed by John Eliot Gardiner and the Monteverdi ensembles since they originally recorded it in the 1980s and this recording gives listeners the chance to hear a fuller version of the work. A glamorous team of young soloists joins the Monteverdi ensembles to bring the story of Semele to life, including celebrated English soprano Louise Alder, who takes on the title role, with the young tenor Hugo Hymas portraying the amorous Jupiter. "

Few ensembles can come to Bach's St John Passion with quite the degree of performance-based insight that Gardiner and his musicians have done. Written for Good Friday in 1724, the passion was the centrepiece of Bach's year-long cycle of liturgical cantatas. Gardiner and the Monteverdi Choir spent 2000 performing and recording these surrounding cantatas, before recording this disc in 2003. The result is a little slice of musical heaven. In sound, it's a masterpiece of technical precision and musical beauty. In tone, it perfectly balances the theatrical with the devotional. The English Baroque Soloists and the Monteverdi Choir expertly build and release tension, their phrases shaped to sound natural, instinctive, and emotionally complete. The work's many dramatic contrasts are also brilliantly done.