Serie Vogel Chemistry
VÖGEL - Magazin für Vogelbeobachtung – 03. März 2017 Magazines
Posted by Pulitzer at March 3, 2017
VÖGEL - Magazin für Vogelbeobachtung – 07. September 2018 Magazines
Posted by Pulitzer at Sept. 7, 2018
VÖGEL - Magazin für Vogelbeobachtung – 07. September 2018
Deutsch | 100 pages | PDF | 101.4 MB
Deutsch | 100 pages | PDF | 101.4 MB
VÖGEL - Magazin für Vogelbeobachtung – 02. März 2018 Magazines
Posted by Pulitzer at March 2, 2018
VÖGEL - Magazin für Vogelbeobachtung – 01. September 2017 Magazines
Posted by Pulitzer at Sept. 1, 2017
VÖGEL - Magazin für Vogelbeobachtung – 01. September 2017
Deutsch | 100 pages | PDF | 99.2 MB
Deutsch | 100 pages | PDF | 99.2 MB
VÖGEL - Magazin für Vogelbeobachtung – 01. April 2022 Magazines
Posted by Pulitzer at April 1, 2022
VÖGEL - Magazin für Vogelbeobachtung – 01. Dezember 2017 Magazines
Posted by Pulitzer at Dec. 1, 2017
VÖGEL - Magazin für Vogelbeobachtung – 01. Dezember 2017
Deutsch | 100 pages | PDF | 102.4 MB
Deutsch | 100 pages | PDF | 102.4 MB
VÖGEL - Magazin für Vogelbeobachtung – 02. Juni 2017 Magazines
Posted by Pulitzer at June 2, 2017
VÖGEL - Magazin für Vogelbeobachtung – 07. Dezember 2018 Magazines
Posted by Pulitzer at Dec. 7, 2018
VÖGEL - Magazin für Vogelbeobachtung – 01. Juni 2018 Magazines
Posted by Pulitzer at June 1, 2018
Hervé Niquet, Le Concert Spirituel - Johann Christoph Vogel: La Toison d’or (2013) Music
Posted by ArlegZ at Feb. 8, 2021
Hervé Niquet, Le Concert Spirituel - Johann Christoph Vogel: La Toison d’or (2013)
EAC | FLAC | Tracks (Cue & Log) ~ 624 Mb | Total time: 45:41+63:35 | Scans included
Classical | Label: Glossa | # GCD 921628 | Recorded: 2012
EAC | FLAC | Tracks (Cue & Log) ~ 624 Mb | Total time: 45:41+63:35 | Scans included
Classical | Label: Glossa | # GCD 921628 | Recorded: 2012
A contemporary of Mozart, Johann Christoph Vogel also died at an early age. Forward looking in approach, this composer of a tormented disposition, sought to extend the operatic revolution undertaken by Gluck in the 1770s. First performed in 1786 at the Opéra de Paris, 'La Toison d’or' reveals that search for an expressive art which demanded an all-embracing involvement from the performers and supplied the music with a sometimes unbearable intensity for audiences of the time.