This album exemplifies the depth to which Larry Polansky (b. 1954) explores and connects different musical ideas: In Three Pieces for Two Pianos and Old Paint, mathematical models and algorithmic processes are used to set folk songs; in k-toods, simple text scores outline complex musical processes that Polansky has theorized extensively; and the Dismissions are culminations of lifelong musicological investigations. His unique compositional style is unified through diversity and a constant reexamining, questioning, reformulating, and mixing of ideas.