Soft Nylon Guitar

Phil Collins took a long time to deliver Testify, his first record since redemptive post-divorce album Dance into the Light. On that 1996 affair, he was open to all the possibilities that may arrive during this new act and, accordingly, the album felt expansive. He dabbled with new sounds, perhaps excessively so, but it helped mirror his newfound freedom. In contrast, Testify feels a bit hemmed in, the sound of a singer/songwriter marching through the drudgery of life. This isn't to say that Testify is underpinned with despair – it certainly lacks the melancholy undertow of Both Sides, one of his moodiest and best records – but rather it feels diligent, with Collins intent on hitting all of his preordained marks.

Recording The Nylon Curtain exhausted Billy Joel, and even though it had a pair of major hits, it didn't rival its predecessors in terms of sales. Since he labored so hard at the record, he decided it was time for a break – it was time to record an album just for fun. And that's how his homage to pre-Beatles pop, An Innocent Man, was conceived: it was designed as a breezy romp through the music of his childhood. Joel's grasp on history isn't remarkably astute – the opener "Easy Money" is a slice of Stax/Volt pop-soul, via the Blues Brothers (quite possibly the inspiration for the album), and the label didn't break the pop charts until well after the British Invasion – but he's in top form as a craftsman throughout the record.

Three time Blues Foundation Traditional Female Artist award winner, Sue Foley's new album One Guitar Woman is a heartfelt tribute to the female pioneers of the guitar - including Memphis Minnie, Lydia Mendoza, Maybelle Carter, Ida Presti, and Sister Rosetta Tharpe. The album showcases the dexterity of Foley's acoustic nylon string guitar skills as she expands on her blues playing into other genres like Piedmont fingerpicking, traditional country, flamenco and classical. One Guitar Woman is devoted to the female pioneers of guitar - to celebrate women of independent spirit, vision, passion, and accomplishment. "From the time I decided to be a professional guitar player, I've always looked for female role models. These are the women who were expressing themselves through the instrument as far back as the 1920's, at the inception of radio and recorded music. They are the trailblazers and visionaries whose footsteps I walk in," says Foley.

Wedding the experimental free-folk of "New Weird America" to the more conventionally song-focused SF freak-folk movement, Six Organs of Admittance mastermind Ben Chasny comes into his own on this, his first-ever studio-recorded LP. Richly textured and three-dimensional, School of the Flower straddles the line between moody ambient madness and vintage sunlit psych-folk.