"One of several fine live dates recorded in the twilight of Stephane Grappelli's long career, this concert has few surprises. The repertoire is fairly standard for the violinist, accompanied by the always enjoyable guitarist Marc Fossett, bassist Jean-Philippe Viret, with the trio occasionally augmented by accordion player Marcel Azzola. (…) One can never have enough Stephane Grappelli, especially on stage." ~allmusic
This Grappelli box set bringing together 37 titles, including 23 previously unreleased, celebrates the violinist's friendship with the pianist, composer, arranger and conductor Gérard Gustin. A first album, entirely unpublished, produced by Sacha Distel in 1970, allows us to hear Stéphane in a “string” context. A setting that perfectly suits this gentleman of the violin. The two quartet sessions brought together in the second volume present another aspect of the discographic collaboration between the two men, which spanned almost ten years. As a bonus, a new unpublished quintet session from 1961, with guitarist Pierre Cullaz.
One of the all-time great jazz violinists (ranking with Joe Venuti and Stuff Smith as one of the big three of pre-bop), Stéphane Grappelli's longevity and consistently enthusiastic playing did a great deal to establish the violin as a jazz instrument. He was originally self-taught as both a violinist and a pianist, although during 1924-28 he studied at the Paris Conservatoire. Grappelli played in movie theaters and dance bands before meeting guitarist Django Reinhardt in 1933.
Vol. 1. One of the nice things about jazz is the cross-pollination of different players in multiple settings. No one would've thought of pairing swing violinist Stéphane Grappelli and bop pianist Oscar Peterson, for instance, but the match works very well. The pair have expanded into a quartet on this reissue with the aid of double bassist Niels-Henning Ørsted Pedersen and drummer Kenny Clarke. The set, recorded in 1973 in Paris, includes a handful of standards, from Pinkard/Tracey/Tauber's "Them There Eyes" to Rodgers & Hart's "Thou Swell." As one might guess, Grappelli is in his own element on upbeat, swinging pieces like "Makin' Whoopee" and "Walkin' My Baby Back Home." Peterson likewise joins in the spirit of these pieces, making them the most interesting interpretations on the album. Other material, like the lingering "Flamingo" and "My One and Only Love," are also enjoyable, but seem rather tepid in comparison…
Stephane Grappelli may have given up standing during concerts late in life as a concession to his health, but at the age of 82, he still swung like mad with the best of them, as heard in this 1990 concert recorded in Tokyo. Accompanied by guitarist Marc Fosset and bassist Jean-Philippe Viret, with the addition of accordion player Marcel Azzola on a few selections, the violinist devotes a good part of his show to the expected standards from the 1930s and 1940s. Highlights include a swinging "Just One of Those Things," a delightful "Honeysuckle Rose" and a loping "Ol' Man River," the latter which adds ripples supplied by Azzola's accordion, until the dam breaks and the second half of the song comes on like a spring flood…