Richard Strauss is most conspicuously represented in the symphony hall through a handful of the tone poems he produced from the late 1880s through the early years of the twentieth century, some of which—like Death and Transfiguration, Till Eulenspiegel, and Thus Spake Zarathustra—represent high points of their genre. He seemed to draw a double-bar on that phase of his career after writing Symphonia domestica in 1902-03, and he returned to the genre only once more, when An Alpine Symphony occupied him from 1911 to 1915. Apart from that, his production of symphonic poems gave way to his growing interest in composing operas, which was most immediately manifested in Salome (premiered in 1905) and Elektra (1909).
Karl Bohm’s name carries with it immense respect among musicians and connoisseurs in our most sophisticated markets, particularly for opera where his “gods” were Mozart, Wagner and Richard Strauss. Deutsche Grammophon proudly brings together for the first time his complete vocal recordings for the label – including the star-studded 1968 ‘Le nozze di Figaro’; the legendary ‘Zauberflöte’ from 1964 with Fritz Wunderlich and Roberta Peters; Bohm’s two recordings of the ‘Missa solemnis’, two Rosenkavaliers, three recordings of Ariadne auf Naxos, Wagner’s Hollander & Tristan … and one disc of new-to-CD recordings. Beautiful packaging and presentation.
Karl Bohm’s name carries with it immense respect among musicians and connoisseurs in our most sophisticated markets, particularly for opera where his “gods” were Mozart, Wagner and Richard Strauss. Deutsche Grammophon proudly brings together for the first time his complete vocal recordings for the label – including the star-studded 1968 ‘Le nozze di Figaro’; the legendary ‘Zauberflöte’ from 1964 with Fritz Wunderlich and Roberta Peters; Bohm’s two recordings of the ‘Missa solemnis’, two Rosenkavaliers, three recordings of Ariadne auf Naxos, Wagner’s Hollander & Tristan … and one disc of new-to-CD recordings. Beautiful packaging and presentation.