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Enta da Stage is the debut album of American East Coast hip hop group Black Moon, released on October 19, 1993 through Nervous Records. The album was produced by DJ Evil Dee and Mr. Walt of Da Beatminerz.
The CD issue of Enta Da Stage: The Complete Edition is enclosed in a deluxe hard case box set featuring the original album, Da Beatminerz instrumentals and remixes across 3 CDs, an 18-page booklet with new interviews, extensive liner notes, and unreleased photos from the original Enta Da Stage photo shoot and additional visual ephemera.

César Guerra-Peixe is one of the leading composers associated with musical nationalism in Brazil. A Retirada da Laguna is a programmatic suite that describes one of the most dramatic moments in the Paraguayan War of 1864–70, while his Concertino is a clever hybrid between folk music timbres and sophisticated high art ambitions. Museu da Inconfidência is one of the composer’s most admired works, taking us through a museum of 18th-century rebellion and heroism. Guerra-Peixe’s Symphonic Suites Nos. 1 and 2 can be heard on Naxos 8.573925, acclaimed by ClassicsToday.com as ‘absolutely world-class’.

For a few decades now, Fritz Reiner's recording of the Verdi Requiem (one of his rare stereo recordings not made for RCA, and not with the Chicago Symphony) has lurked in the shadowy corners of Decca's catalog, appearing only on budget LPs and CD two-fers. Now, in its latest incarnation as part of the Decca Legends series, it may at last get the recognition it deserves. Reiner's rendition has several things going for it, not least of which are the superstar soprano and tenor soloists.

With their constant Madstocks and concerts, Madness never went away, but their 2009 album The Liberty of Norton Folgate – their first album original material in ten years – felt like a full-fledged comeback, a return to the brilliant form of 1982's The Rise & Fall, the album that firmly positioned the band in the grand tradition of British pop. Oui, Oui, Si, Si, Ja, Ja, Da, Da, the 2012 sequel to Liberty, proves the 2010 comeback was no fluke, with its equally clever and confident collection of savvy pop and ska, tunes that are effervescently melodic, lyrically nimble, and giddy with their dexterity…