First and foremost, Domenico Scarlatti is regarded as the greatest composer of binary harpsichord sonatas of all time, and that is as it should be: he wrote more than 600 of them and many are constantly recorded and played. However, early in his Italian career, Scarlatti developed a proven track record as a composer of sacred music, some of it under the watchful eye of his father, Alessandro Scarlatti, believed by many at the time as the top composer of the age. The fact most readily observed in regard to Domenico's sacred music is that his Stabat mater, composed in 1717 or 1718, was the work within that genre replaced in Rome by Giovanni Pergolesi's Stabat mater around 1735. The Scarlatti work was conceived in a different style to different strictures; while it has become the most recorded of Scarlatti's sacred works, it definitely suffers when paired with the Pergolesi owing to its immediacy and familiarity. On Coro's Iste Confessor, the Sixteen led by Harry Christophers widely opt for Scarlatti's own, other sacred music as filler to the "Stabat mater with results fairer to the composer and quite favorable to listeners.
Carrie Rodriguez is a Texan singer-songwriter and violinist whose repertoire includes country, folk and rock, but is at her best when she explores her Mexican roots. Her great aunt Eva Garza, a Spanish-language singing star in the 1940s, inspired Rodriguez to “create my own blend of Tex-Mex music”. It’s a mix of classic Mexican songs, many slow and unashamedly emotional, and her own compositions, which are often in the ranchera tradition. The opener, Perfidia, shows how well Rodriguez has succeeded. She revives this tuneful, well-worn song of betrayal with pained, attacking vocals, helped by strong harmony work by Raul Malo and glorious twanging guitar by the great Bill Frisell. Elsewhere, there’s a powerful treatment of the 30s love song Noche de Ronda. Rodriguez’s compositions have a dash of country-blues and include a tribute to the ranchera star Lola Beltrán. This is a fresh, confident set.
Sacred Spirit is a musical project by Claus Zundel, Ralf Hamm, and Markus Staab. This album was nominated for a Best New Age Album Grammy and spawned the international smash hit "Yeha-noha (Wishes of Happiness & Prosperity)," which topped the singles charts in numerous countries, including Germany and France.
"Chants and Dances of the Native Americans" (sometimes labeled as "Indians") is an 11-song journey bridging the gap between ancient and contemporary history, tradition and modern instrumentation. While it is impossible to fully realize such scope on a single disc, Sacred Spirit makes the choice to represent all indigenous Americans rather than become mired in the potentially divisive bog of politics and tribal allegiance. All but two melodies are entirely traditional, bringing together flute, drums, and vocals with a cello and keyboard wash…
Giovanni Battista Martini may be one of the best-known personalities in the history of music, generally referred to as 'Padre Martini'. His fame is mainly due to his theoretical writings and the fact that he was the teacher of famous composers like Johann Christian Bach, André Ernest Modeste Grétry, Niccolò Jommelli and Mozart. Very few people know his own compositions.