"Promise" is the second studio album by English band Sade, first released in the United Kingdom on 4 November 1985 by Epic Records and in the United States on 15 November 1985 by Portrait Records. Upon release Promise was met with acclaim from music critics. Commercially the album was a success peaking at number one on both the UK Albums Chart and the US Billboard 200, the album was later certified multi platinum in both regions. Promise became the band's first album to top the album charts in both the United Kingdom and the United States.
Promise is the second studio album by English band Sade. It was first released in the United Kingdom on 4 November 1985 by Epic Records and in the United States on 15 November 1985 by Portrait Records. Recording for the album began in February and lasted until August 1985. The band co-produced the album with the same team of producers they worked with on their debut album, Diamond Life, including Robin Millar, Mike Pela and Ben Rogan. The album's title comes from a letter from Adu's father where he refers to the "promise of hope" to recover from cancer.
Sade's second album improved on the performance of her debut, as "Sweetest Taboo" was a huge hit and "Never as Good as the First Time" landed in both the R&B and pop Top 20. She was once again the personification of cool, laid-back singing, seldom extending or embellishing lyrics, registering emotion, or projecting her voice…
Sade's second album improved on the performance of her debut, as "Sweetest Taboo" was a huge hit and "Never as Good as the First Time" landed in both the R&B and pop Top 20. She was once again the personification of cool, laid-back singing, seldom extending or embellishing lyrics, registering emotion, or projecting her voice…
Promise is the second studio album by the English group Sade. It was released in the United Kingdom on 16 November 1985 by Epic Records and in the United States on 21 December 1985 by Portrait Records.
The major hits from this album were "The Sweetest Taboo" and "Never as Good as the First Time", which reached number five and number 20 on the U.S. Billboard Hot 100.
Sade's second album improved on the performance of her debut, as "Sweetest Taboo" was a huge hit and "Never as Good as the First Time" landed in both the R&B and pop Top 20. She was once again the personification of cool, laid-back singing, seldom extending or embellishing lyrics, registering emotion, or projecting her voice. This demeanor made her more desirable in the minds of many fans and was perhaps the ultimate misapplication of the notion of sophistication. But this album topped the pop charts and eventually went triple platinum.
Nigerian vocalist Sade Adu has carved out a cosmpolitan niche for herself over the past decade, gathering together elements of cool jazz, samba, reggae, funk and pop all under the pastoral umbrella of her suede-and-velvet voice. A pop stylist with a musical universe all her own, Sade has endured and matured over the past decade, seemingly unaffected by changes in taste and fashion–a movement unto herself…
It could have been that Sade (collectively, the vocalist Sade Adu and her band) would have remained the darlings solely of the British underground rare-groove scene, but their sound proved irresistible to the mainstream, and the rest is history. Caught at the beginning of her career in 1985, Sade's cool vocals and exotic looks grabbed everyone's attention. But equally as important to Diamond Life's success was the velvet muscle of the band's accompaniment, a sinewy after hours groove, laden with minimalist funk. Eight of the nine tracks are self-penned. Straddling R&B and pop, this disc lays out the hooks and sultry allure that became Sade's soulful standard–intelligent and sexy at the same time. ~ Derek Rath