Saint Saens Swan

Lang Lang presents a treasure trove of musical discoveries in this album: Saint-Saëns’s Piano Concerto No. 2, recorded with the Gewandhausorchester and Andris Nelsons, is a true romantic masterpiece for Lang Lang that rivals the great concertos by Rachmaninoff or Tchaikovsky. Pairing it with Carnival of the Animals, a whimsical menagerie that has captivated young hearts for generations, Lang Lang continues his heartfelt wish to promote the love of classical music to young people and it also gives him a chance to collaborate with his wife, pianist Gina Alice. These two large scale orchestral works are complemented with solo compositions, including hidden gems by five female French composers as well as beloved French Classics.

Over a remarkably long and illustrious career, Camille Saint-Saëns thrilled audiences around the world as a pianist and organist, shaped the course of musical life in France, and enriched a multitude of genres with some 600 works, all bearing witness to the mastery of his craft. Setting his best-known compositions in their dazzlingly diverse context, this edition invites exploration and discovery. It spans more than a century of recording history, encompassing a host of great instrumentalists, singers, conductors and orchestras, many of them from France. Setting the pace, in performances from as early as 1904, is the composer himself.

Following the success of his first Decca release of solo piano music by Chopin, Liszt, and Ravel, Benjamin Grosvenor demonstrates his aptitude in the concerto repertoire on his second CD, Rhapsody in Blue, recorded with James Judd and the Royal Liverpool Philharmonic Orchestra. This is a refreshing change from the usual Tchaikovsky or Rachmaninov concertos one hears from young artists eager to impress, and Grosvenor is clever enough to play not only engaging concertos by Saint-Saëns, Ravel, and Gershwin, but to toss in short bon-bons by these composers to sweeten the program.

'Concerto!' was a Channel Four TV series that showed participating soloists in rehearsal, in conversation with Dudley Moore and Michael Tilson Thomas and, ultimately, in performance, which resulted in several recordings, of which this is one. This disc is recommendable not so much for Steven Isserlis's Cello Concerto – smooth and intelligent as that is – as for the fillups. The swan has Moore and Tilson Thomas as joint accompanists, elegantly executed, but the items with Pascal Devoyon are especially valuable, the First Cello Sonata full of elegantly tailored drama, the two Romances, Chant saphique and Gavotte palpable charmers, tastefully played; and the headstrong, thematically memorable Allegro appassionato, one of the finest shorter pieces in the cellist's repertory. .