Salem Lot

Scarcely three decades old, the enduring appeal of novelist Stephen King's horror oeuvre has already begun to foster remakes of the films and TV productions already based on his most popular works. This cable TV redux of King's 1975 tale of a small hamlet beset by vampires features an ominous, brooding orchestral and choral score that's a winning collaboration between newcomer Christopher Gordon and former Dead Can Dance mainstay cum film scorer Lisa Gerrard. The gothic seasoning she imparted to her previous collaborations with Hans Zimmer (most notably Gladiator) comes to the forefront on this score's haunting title aria (composed by Gerrard and partner Patrick Cassidy) and tracks like "Bloody Pirates" and "Free in Spirit." But it's the music of newcomer Gordon (Master and Commander) whose sheer scale and ambition belie the small screen format it was written for at nearly every turn.

Live performance by reunited and iconic members of the Winston-Salem scene.

Jerusalem's Lot, petite bourgade de l'Etat du Maine, devient du jour au lendemain une ville fantôme…

Recording over a long time at April Base in Wisconsin but finishing at Sonic Ranch in Texas allowed us to feel confident, comfortable, and completely free of distraction. The sense of community around the record grew through honest, generous inspiration within the group of artists involved in the creative process of the record. The thirteen new songs on i,i complete a cycle: from the winter of For Emma, Forever Ago came the frenetic spring of Bon Iver, Bon Iver, and the unhinged summer of 22, A Million. Now, fall arrives early with i,i.