Any music fan that digs the Latin music sounds of the 1970s from late Pachuco Soul to Latin Funk and Disco and Salsa, or, any serious fan of sampledelia in hip-hop circles knows the single "Jungle Fever" by Chakachas. It was a truly infamous hit in the United States in 1971 and 1972, mainly for the moaning, breathy, sexual overtones of its female vocalist (though there are some male grunts in the mix too) but it was also beat crazy. The band that created this smash, were, to all but hardcore music connoisseurs, virtually unknown. …
In his extensive liner notes to this double-disc, Bill Fay claims that only David Tibet would have released Still Some Light, a collection of demos from 1970 and 1971 gathered from various sources, and a disc of new songs. So it is Tibet we must thank as well. Fay is the British singer/songwriter whose first two albums - Bill Fay and Time of the Last Persecution - were issued by Decca in the early '70s to favorable reviews and poor sales. They disappeared until the 21st century, where they have been rightfully regarded as lost classics. The first disc in this collection features demos that Fay and his bandmates had lying about for decades. The fact that these relationships continued after the music stopped says a lot about all of the respect and trust for one another these men have. Fay plays piano, organ, acoustic guitar, and sings, while Alan Rushton is on drums, Daryl Runswick on bass, and Ray Russell on electric guitar…
A mad mix of Latin and funky rhythms – a 70s classic from the Belgian group Chakachas! The album's best known for its title hit "Jungle Fever" – an insane cut that features heavy drums, choppy guitar, and a stop/start action that's peppered with sounds of female pleasure! The track was a worldwide hit, and continues to be a funky classic today – thanks to a heavy sample history, and a life in playlists worldwide – but the rest of the album's pretty darn great too, and even weirder. Some tracks mix easy Euro grooving with heavy conga, others have kind of an LA Chicano funk approach, and still others throw in some mad horns to complicate matters with nice jazzy riffing. Really great throughout – and maybe one of the best funky albums to ever come out on a major label!