Sampler Original Jazz Classics

Kenny Burrell & John Coltrane - Kenny Burrell & John Coltrane (1958) {2006 Prestige RVG Remasters Series}
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© 1958, 2006 Concord / Prestige / New Jazz | 0025218810722 / NJ 8276 | 24-bit remaster
Jazz / Bop / Hard Bop

For his final Prestige-related session as a sideman, John Coltrane (tenor sax) and Kenny Burrell (guitar) are supported by an all-star cast of Paul Chambers (bass), Jimmy Cobb (drums), and Tommy Flanagan (piano). This short but sweet gathering cut their teeth on two Flanagan compositions, another two lifted from the Great American Songbook, and a Kenny Burrell original. Flanagan's tunes open and close the album, with the spirited "Freight Trane" getting the platter underway. While not one of Coltrane's most assured performances, he chases the groove right into the hands of Burrell.

This early CD sampler of John Coltrane's Impulse years gives the personnel listing but leaves off the recording dates. All of the music ("Soul Eyes," "Song of the Underground Railroad," "Dear Lord," "Vilia," "India," "Spiritual" and "Big Nick") has been reissued again on CD, making this set of greatest interest to those listeners just beginning to explore the music of the great saxophonist; the emphasis here is the more melodic and conservative performances, although several classics are included. "Vilia" (which was originally released on an LP sampler) was formerly the rarest selection.

Priceless Jazz Collection is a compilation that intends to give neophytes an affordable introduction to John Coltrane's Impulse! recordings. Although purists and collectors will find this sampler incomplete and inconsequential, it nevertheless gives new listeners a good idea of Coltrane's music during the '60s, featuring such classics as "Naima," "A Love Supreme, Pt. 1: Acknowledgement," "Bessie's Blues," and "Crescent."

Verve's Ultimate Art Tatum may not live up to its billing, but the budget-priced collection is nevertheless a terrific introductory sampler. Hank Jones selected the 16 tracks on the compilation and he also wrote the liner notes. He did an excellent job balancing acknowledged classics with choices that illustrate Tatum's range. Some listeners will undoubtedly find a favorite or two missing, but these 16 tracks - including "Tenderly," "I Cover the Waterfront," "Someone to Watch Over Me," "Yesterdays," "Willow Weep for Me," "Wrap Your Troubles in Dreams (And Dream Your Troubles Away)," "Sweet Lorraine," "There Will Never Be Another You," and "Too Marvelous for Words" - capture the essence of Tatum's Verve recordings, which is enough to make this a worthwhile sampler.

Ultra-Lounge is a series of compilation CDs released by Capitol Records, featuring music predominantly from the 1950s and 1960s in genres such as exotica, space age pop, mambo, television theme songs, and lounge. Many of the volumes have since been made available for purchase via digital download. Each CD featured detailed liner notes along with two related drink recipes, tips on how to serve drinks to guests, and often photographs of sculptures made out of bartender items and other objects.

The original blues shouter found a way to meld some of Jimmy Rushing's rambling jazz phrasing with the low-down tone he naturally bellowed out to Kansas City audiences - sometimes while behind the bar serving drinks. And before hitting the charts with several early rock & roll hits, Big Joe Turner did bedrock work with such fine stride and boogie-woogie pianists as Pete Johnson, Freddie Slack, and Willie "The Lion" Smith. On Classics' 1941-1946 chronological sampler of Turner's early prime, these and other luminaries of the after-hours fraternity sympathetically back Turner over the course of 22 gems. A good chunk of the material finds Turner ideally framed by just a piano trio, with highlights including "Nobody in Mind" (Sammy Price is at the keys for this cut), "Little Bittie Gal's Blues," and "Blues on Central Avenue"…