Alien invaders kidnap everyone's favorite right jolly old elf in this low-budget mixture of children's comedy and sci-fi adventure. Christmas is not far away, and countless children are glued to their family's TV sets, watching reports about Santa Claus (John Call). However, this is happening on Mars, and leaders of the Red Planet aren't sure what to do for their kids who are pining away for a visit from the gift-bearing earthling. Martian leader Kimar (Leonard Hicks) dispatches two of his emissaries, the chronically grumpy Voldar (Vincent Beck) and the moronically cheerful Dropo (Bill McCutcheon), to Earth to bring Santa back for a visit. After arriving on Earth, Voldar and Dropo abduct two children, Betty (Donna Conforti) and Billy (Victor Stiles), and order the kids to show them the way to Santa's workshop, from which all three are taken to Mars against their will. As Santa, Betty, and Billy try to find a way back to Earth, Voldar becomes enraged with the Earth kids, while the children bond more comfortably with the intellectually-challenged Dropo. Shot on a shoestring budget on Long Island, Santa Claus Conquers the Martians has developed a rabid cult following over the years, and yes, it's true, Kimar's daughter Girmar really is played by a ten-year-old Pia Zadora.
This remake follows the same basic concept as the original: Santa, disillusioned by children's lack of belief in him and in the spirit of giving, decides not to deliver toys this Christmas Eve, despite the arguments by Mrs. Claus and two of his helper-elves, Jingle and Jangle. They decide to provide Santa with some proof that children still believe and that they still deserve toys from Santa, so the elves visit the United States in search of Christmas spirit. At first, they face only setbacks, both in South Town, which is celebrating its annual Winter Festival, and in their dealings with the jealous, competitive Miser Brothers, who refuse to compromise long enough to permit a Christmas snow in the southern town. Finally, Santa's faith in children is renewed with the help of the boy Iggy Thistlewhite.
As disco became an important part of the international music business, European producers began working in exotic flavors into the disco beat to create unique and competitive recordings. A good example of this trend is Santa Esmeralda, a Spanish-themed studio group that wove elements of flamenco, salsa, and other Latin musical styles into its Euro-disco sound. Although the group's sound was about as genuinely Spanish as Herb Alpert & the Tijuana Brass (Santa Esmeralda was the brainchild of French record producers), the result was a crossover success that spawned several club-favorite albums and a notable pop hit in the band's Latinized cover of "Don't Let Me Be Misunderstood".