The 1958 session took place in Paris with Quincy Jones doing the arrangements and leading a 55-piece orchestra. To match up this large aggregation would be daunting for most singers. But with Vaughan's powerful operatic voice, it's no problem at all. Zoot Sims was present backing Vaughan and soloing on such cuts as "Misty." Also present was the rhythm section of Ronnell Bright on piano, Kenny Clarke on drums, and Richard Davis and Pierre Michelot sharing bass.
As one of the few Sarah Vaughan compilations to make it onto the shelves of most music stores (until it too is supplanted), MCA's 20th Century Masters collection has large shoes to fill. Since MCA owns the Mercury catalog – for which she recorded during the '50s and '60s – listeners shouldn't worry that they're purchasing substandard material. Still, the compilation doesn't present a complete picture of what made Vaughan special; it focuses on the big-time standards that found Vaughan backed by pillowy productions (half of the selections come from the crossover dates Vaughan With Voices and Vaughan and Violins).
Legend has it that, on a Wednesday night in 1942, the 18-year-old Sarah Vaughan went to the Apollo Theatre in Harlem to compete in an amateur talent contest for the chance to win $10 and a week-long engagement. Although the events leading up to this are uncertain, there is no doubt that Vaughan sang ‘Body And Soul’ and won. Vaughan was contracted by the Apollo in spring 1943 to open for Ella Fitzgerald.
This imaginatively-curated, generously-filled Christmas package is sure to find favor during this and future holiday seasons. Why? Because it packs in every conceivable carol, tune, choral work or song in timeless performances from the greatest artists in the world: singers of immense communicative gifts including Cecilia Bartoli, Bryn Terfel, Renee Fleming and Luciano Pavarotti to name but four. It truly offers something of every Christmas mind, spirit, and looks fantastic.