Samuel Scheidt (baptized November 3, 1587 – March 24, 1653) was a German composer, organist and teacher of the early Baroque era. Samuel Scheidt published 4 collections entitled Ludi Musici between 1621 & 1627, whereas only the first publication (from which the present program is taken) survives complete. Scheidt continues to be the most significant of the early North German instrumental composers.
This release is titled as Elizebathan Consort Music, Vol II and we have already savoured the flavours of that previously immensely successful release which reads like a roll-call from the 'greats' of English 16th century music. This time Jordi Savall and his splendid Hesperion XXI have devoted a whole CD to the talents of Anthony Holborne, a rather obscure figure but one who evidently was held in great esteem in those days.
This performance of Bach's Art of Fugue is an analog recording originally released in 1986. It was first digitally mastered and offered on CD in 1988, then was re-mastered in 2001 and paired with a new recording of Bach's Musical Offering as part of Alia Vox's boxed-set edition "The Testament of Bach". Now the performance has again been re-mastered as a full SACD multi-channel hybrid, and it has much in common with its companion Musical Offering recorded 14 years later and also directed by Jordi Savall (with his ensemble Le Concerts de Nations)…–John Greene, ClassicsToday.com
In the monastic life of the Cistercian order, as in the case of the female monastery of Santa María la Real de Las Huelgas (Burgos), a royal pantheon, the seat of coronations and the epicentre of a very intense musical life in which singing played an extremely important part, the nuns were called upon to live a life of simplicity, silence, prayer and contemplation. Flavit auster, which is part of the Las Huelgas Codex, is a Marian text inspired in the Song of Songs in which the most powerful symbols of femininity appear, such as the honeycomb, milk and honey, and protectiveness described as “mother of mercy, port of hope for the shipwrecked and virgin mother purified.”
Jordi Savall has created another lavishly produced and sonically gorgeous album for Alia Vox. Here the theme is the art of Caravaggio, specifically, seven of his most wrenching paintings, all on Biblical or religious themes, six of them images of death, or near-death, and five of them are violent. The program booklet includes reproductions of the paintings and reflective essays by Dominique Fernandez. This collection of 30 pieces differs from many of Savall's releases in that it includes many of his original works, as well as many improvisations, in addition to only a few pieces by Renaissance composers.