Scherchen fans of a certain age will fondly recall the Prokofiev in its original incarnation as Westminster LP WL 5091, its murky brown cover depicting a fierce, fleeing horseman pursued by turquoise-colored flying beasties. That cover illustration, this time with the pursuers in red and the background a more legible mustard, will bring on fits of nostalgia, not only for the cover art but for idiomatic performances of wondrous barbarism. The Scythian Suite, salvaged from a ballet score rejected by Diaghilev, is an early work covered with fingerprints of Stravinsky’s Rite of Spring. Indeed, sections such as the opening of the “Night” episode sound like outtakes from that scandalous model. Imitative or not, the young composer produced a score whose relentless drive and brilliant orchestration should be heard more often. Scherchen launches into the opening orchestral splash like a wild man, gives the horn whoops of the final movement the piquant flavor they need, and is deliciously atmospheric in the aforementioned “Night”..
Between 1960 and 1981, the music label Deutsche Grammophon recorded the eight greatest operas composed by Verdi at La Scala in Milan, the home of Italian operas. World’s leading singers and conductors were involved in the recording. The result provides you with the best possible way to get familiar with Verdi’s operas....
Among the very many versions of "Rigoletto" recorded in the last 30 years, this one is very little known. However, it has a brilliant, extraordinary performance delivered by the great Lucia Popp and an outstanding, crispy execution by the Munich Radio Orchestra directed by Lamberto Gardelli...