Schubert Symphonies

Schubert's two greatest orchestral works on one CD at budget price–if the performances were indifferent this would be no bargain at all, but they are superb. In fact, these versions may have been equaled, but they have never been surpassed. George Szell understood intuitively how to balance Romantic passion with intellectual discipline. In difficult pieces like the Schubert Ninth, he rose to the challenge like an Olympic athlete after a new world record. The recordings he made in his prime with his own Cleveland Orchestra comprise one of the most satisfying legacies in the history of classical music on disc. Within even this impressive legacy, these performances stand high.

He was closely associated with EMI for the majority of his recording career (specifically from 1946 to 1960 and then again from 1969 to 1984). While Beethoven’s symphonies, so central to Karajan’s recorded legacy, embody music’s transition from Classicism to Romanticism, this set presents symphonies by Beethoven’s great Classical predecessors – Mozart and Haydn – and his admiring Romantic contemporary, Schubert. It also offers a rarity: the overture to Cherubini’s opera Anacréon.

Everything that Nikolaus Harnoncourt does is interesting, and sometimes inspired. Even at his weirdest, he usually has a reason for doing what he does, and fortunately there's no need at all to make excuses for his marvelous Schubert symphonies. Of course, he has the Concertgebouw at his beck and call, which adds no small dimension to the success of these performances, but for the most part it's all Harnoncourt's show. Fresh, exciting, provocative, you will never hear Schubert the same way again.

Sept ans après un Indispensable associant les 8e (par Mravinski) et 9e (Krips), Gaëtan Naulleau a écrémé la discographie des six autres symphonies.