“I have heard an angel sing,” wrote Schubert after he heard Paganini play in Vienna in 1828. Vilde Frang, partnered by pianist Michael Lifits, juxtaposes and links works by these two violinist-composers, who lived vastly different lives, yet are musically connected. Both found inspiration in the human voice and Frang sheds new light on Schubert’s demands for virtuosity and on Paganini’s sensitive musicality.
“Schubert’s music is always associated in my imagination with a journey in a horse-drawn carriage. Outside, the scenery is flowing by. Cities, mountains, rivers, lakes, villages. At times the carriage slows down, then it speeds up again, but I always have that feeling of being on a journey. Not on foot and not on horse, but in a carriage on wheels.” (Elena Bashkirova)
Starting in 2003, Jonathan Nott and the Bamberg Symphony pursued the ambitious project of recording Franz Schubert's symphonies Nos. 1-8, and the SACDs were individually released later that decade to considerable critical praise. This 2011 set of six SACDs brings together the four albums with the symphonies, plus two collections of modern compositions inspired by Schubert's music. Nott's conducting tends to be on the fast side in Schubert, and the Bamberg Symphony is sometimes a little uneven in sound quality. But by and large, they demonstrate a great understanding of Schubert's styles, both in his Classical and Romantic veins, and acquit themselves with enthusiasm and brilliance.
REFERENCE RECORDINGS® is proud to present pianist, composer, and producer Sergei Kvitko’s new album, Schubert by Candlelight — Live in Madrid, a stunning collection of Schubert’s piano works. The album features thirteen piano works that showcase the beauty and depth of Schubert’s music, as well as the artistry and versatility of Kvitko, who is not only an award-winning, critically acclaimed pianist, but also a composer, arranger, and internationally sought-after producer and sound engineer. The album was recorded at Hinves Pianos, Madrid, Spain on April 7, 2022. It was performed, produced, and engineered by Sergei Kvitko, assisted at the session by audio engineer Jorge Núñez Colell.
Baritone Konstantin Krimmel, voted ‘Best Newcomer’ of the year at the 2023 Oper! Awards in Germany and a member of the eminent Bavarian State Opera company since 2021, presents his third recording for Alpha Classics. In close partnership with pianist Daniel Heide, he places his artistry and his feeling for words at the service of the lied repertory. This is also an opportunity to discover his vision of the work, an unexpectedly contemporary, socio-psychological analysis: ‘ Die schöne Müllerin is a work that romanticises the development of a mental illness, and shows, unfiltered, how a young person can feel without a tempered emotional world. With all its dark sides.’