Brazilian technical metal monsters Sepultura grew slowly from a devotion to the legends of their genre, eventually becoming the most successful metal band in Brazil's history as well as a worldwide influence. Founding member Max Cavalera sang and played guitar in the band until a deeply personal dispute over management led him to unceremoniously leave the band in 1996. While the other members carried on with a replacement vocalist, subsequent Sepultura albums never had quite the flair or force of those groundbreaking earlier works. The Complete Max Cavalera Collection 1987-1996 gathers together all 56 tracks from the first five albums, including the incredibly influential mid-'90s releases Arise and Roots.
The second Cosmic Jokers album, though originally not released under their name, offers another pair of sidelong roller-coaster rides into the cosmic void from the same musicians as the first album, with added vocals from guitarist Göttsching's girlfriend, Rosi Muller, and producer Kaiser's girlfriend Gille Lettmann. Whereas the Ash Ra Tempel elements were more dominant on the earlier record, this one relies more heavily on the conventional psychedelic sounds of the Wallenstein faction, though not to the point where it loses that loose Ash Ra vibe. Side one, "Kinder des Alles," begins with a funky driven beat before collapsing into a strange synth-saturated sound, falling deep into ambient space until eventually the track propels back into another galloping rhythm.
The second Cosmic Jokers album, though originally not released under their name, offers another pair of sidelong roller-coaster rides into the cosmic void from the same musicians as the first album, with added vocals from guitarist Göttsching's girlfriend, Rosi Muller, and producer Kaiser's girlfriend Gille Lettmann. Whereas the Ash Ra Tempel elements were more dominant on the earlier record, this one relies more heavily on the conventional psychedelic sounds of the Wallenstein faction, though not to the point where it loses that loose Ash Ra vibe. Side one, "Kinder des Alles," begins with a funky driven beat before collapsing into a strange synth-saturated sound, falling deep into ambient space until eventually the track propels back into another galloping rhythm.
When it comes to powerhouse thrash metal bands of the 1980s and 1990s, precious few had as much influence on their peers as Sepultura. Founded by brothers Max and Igor Cavalera, they came from Brazil, they took no prisoners, and they went on to sell millions of records around the world, but they did so while allowing their music to evolve rather than growing stagnant by being afraid to step away from the sound of their proven successes. You can follow Sepultura’s musical evolution on the new box set THE ROADRUNNER ALBUMS 1985-1996, a six-CD set which follows the band through their run on Roadrunner Records and reveals the way their sound changed over the course of those 10+ years.
"Miserere", the DMP debut by THE LOVECRAFT SEXTET is the deepest, bleakest, most contemplative emission to-date from hyper-prolific composer Jason Köhnen (CELESTIAL SEASON, BONG-RA, MANSUR, ex-THE KILIMANJARO DARKJAZZ ENSEMBLE, THE ANSWER LIES IN THE BLACK VOID).