Vox Luminis already boasts an impressive discography, orientated mainly towards sacred music and German repertoire (its album devoted to music by Heinrich Schütz won the Gramophone ‘Best Recording of the Year’ Award in 2013). Now this ensemble, founded nearly fifteen years ago by Lionel Meunier, has scaled one of the summits of English music: the legend of King Arthur and his mentor the wizard Merlin inspired one of Henry Purcell’s most popular successes, King Arthur, a semi-opera on which Purcell lavished all his exuberant musical and theatrical inventiveness.
Sir Neville Marriner founded the Academy of St Martin in the Fields in 1958, and led the ensemble for over half a century. He became the face of recorded classical music for millions of listeners, as Toscanini, Bernstein and Karajan had been before. In later years, Capriccio stepped in when other labels showed no interest in recording the Academy in larger-scale, romantic repertoire, exemplified by the set of Tchaikovsky symphonies that are the focal point of this 14-CD collection. 'The members of the Academy, trained on quite different repertory, let their hair down in playing that is both crisp and alert, obviously enjoying their outing into this pop repertory' Edward Greenfield, Gramophone.
Samson and Delilah (French: Samson et Dalila), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the Grossherzogliches (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation…
Henry Purcell's King Arthur, or The British Worthy, occupies the small genre of English semi-operas, i.e., stage works in which the most of the main characters speak dialogue, but songs, choruses, and incidental music provide commentary on the action. This 2018 performance by Lionel Meunier and the period ensemble Vox Luminis presents King Arthur without speaking parts, so the music is continuous and complete on two CDs, and displays the variety of musical forms and effects Purcell employed to make John Dryden's somewhat confusing play – a mixture of Norse and British mythology – come to life.
Based on Sophocles' famous tragedy, Stravinsky's grippingly powerful Oedipus Rex represents the pinnacle of his neo-classical style, using the chorus and aria structure of that earlier period to great dramatic effect. Similarly drwing inspiration from classical antiquity, the ballet Apollom musagete evokes the grand French tradition of the 17th and 18th centuries, its two tableaux displaying rich string harmonies and textures that are pleasantly mesmerising, expressive and calmly indulgent.
Claude Debussy, who died 100 years ago in March 1918, is one of history's greatest composers and the most influential of all French composers. A father of modern music, Debussy lived in the early days of the recording era.