Sensory 2025

Oak were Tony Engle (concertina (a small accordion)), Danny Stradling (tambourine), Rod Stradling (melodeon (a small reed organ)), Peta Webb (fiddle). The quartet, organized in the early 1970s, specialized in traditional dance tunes, and their sole album, Welcome to Our Fair (1971), on the Topic label became the jumping-off point for virtually every traditional dance band that followed in their wake.

Step into a realm of pure sensory delight with A Garden After the Rain. This exquisite collection of classical music invites you to immerse yourself in the tranquil beauty of blossoming gardens. Let delicate melodies evoke the vibrant colours of flowers, the gentle rustling of leaves, and the intoxicating scents carried on the breeze. Experience the refreshing peace and quietude of a garden reborn after a shower, where every note is a fragrant bloom and every harmony a whisper of nature's serene embrace. Let this album cultivate a sanctuary for your soul.

"Sin and Love" is a dark narrative roguelike game with a background set in a fantastical version of the Tang Dynasty. You will play as a princess from the ‘Stone’ Kingdom, who has been poisoned and rises from the ashes.

For elodie Vignon, the decision to record Debussy's complete piano works in chronological order was born of what the Prelude a l'apres-midi d'un faune was in Debussy's day: a revelation! For her, playing this music is like entering a cocoon that belongs to you alone. This first volume (generous with 2CDs) of the three that will make up the complete works, naturally begins with Debussy's early works, pieces directly inspired by poems by Mallarme and Verlaine and which embrace the mysterious dimension of the sensory imagination. In the years that followed, he increasingly freed music from the polarisation exerted by the tonal note, keeping the sound space open and ultimately initiating spectral music. Debussy liked to draw inspiration from memories when composing, in order to maintain a distance between his own emotions and those he wished to arouse in the listener. Alfred Cortot spoke of evoking sensations rather than feelings, thus rejecting the late-Romantic aesthetic of emotional identification between composer and listener: an obligation that seemed too constraining to Debussy to be able to give rise to an open dialogue with the listeners of his work. Giving the impression of being invented as it is played, Debussy's music invites us to dream, to better understand the complexity of the world.

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The view into "infinity" gives freedom! Man lives in his narrow temporal space and, with his mind focussed only on the supposedly 'real' sensory world, grasps only the outside of his being: he loses himself in the multiplicity of things. A feeling for the cosmic interconnectedness of all beings has been lost. In the prison of materialism, man cannot free himself from such polarity - that is why he is ruled by strife, war, egoism, lust for power and possessiveness.

The view into "infinity" gives freedom! Man lives in his narrow temporal space and, with his mind focussed only on the supposedly 'real' sensory world, grasps only the outside of his being: he loses himself in the multiplicity of things. A feeling for the cosmic interconnectedness of all beings has been lost. In the prison of materialism, man cannot free himself from such polarity - that is why he is ruled by strife, war, egoism, lust for power and possessiveness.

Norwegian saxophonist, composer, and multi-instrumentalist Harald Lassen returns with RIK, a vibrant and exploratory new album that picks up the threads of his acclaimed Balans - the album that earned him a Spellemannprisen (Norwegian Grammy) - and weaves them into something stranger, softer, and more surprising. “It’s the little brother,” Lassen says. “Same blood, same environment, but making different choices.”

After two EPs and an illuminating start to his career, Grammy Award-winning saxophonist Venna releases his debut album, Malik. Not wanting to be rooted in jazz alone, Malik embodies the melting pot of sounds that reflects Venna’s environment. Bossa Nova influences can be heard across the album, as well as a deep love for Soul, R&B, and Rap. Venna’s broad range shines bright in his choice of collaborators, including vocalists Jorja Smith, Leon Thomas, MIKE, and Smino, as well as instrumentalists such as Yussef Dayes and Marco Bernardis.