The Kenny Clarke-Francy Boland Big Band was one of the most noteworthy jazz big bands formed outside the United States.
It was formed in 1961, when, with the help of producer Gigi Campi, the US drummer Kenny Clarke and Belgian pianist and composer Francy Boland and ex-Ellington bassist Jimmy Woode brought together several jazz musicians of note. Although based in Europe, the band was truly multinational, also having several US musicians in the line-up.
It was disbanded in 1972, after having recorded more than 15 albums.
This is it. If you've ever wondered how to produce a professional, huge sounding Electronic Dance Music track from the beginning, all your questions will now be answered. Chart topping remixer Timothy Allan is back yet again, this time creating an authentic EDM track using nothing but the new Logic Pro X.
GarageBand turns your iPad, iPhone, and iPod touch into a collection of Touch Instruments and a full-featured recording studio — so you can make music anywhere you go. Use Multi-Touch gestures to play a piano, organ, guitar, and drums. They sound and play like their counterparts, but let you do things you could never do on a real instrument. Enjoy Smart Instruments that make you sound like a pro — even if you’ve never played a note before. Plug an electric guitar into your iPad, iPhone, or iPod touch and play through classic amps and stompbox effects.* Use a Touch Instrument, a built-in microphone, or a guitar and instantly record a performance.
None of the Band's previous work gave much of a clue about how they would sound when they released their first album in July 1968. As it was, Music from Big Pink came as a surprise. At first blush, the group seemed to affect the sound of a loose jam session, alternating emphasis on different instruments, while the lead and harmony vocals passed back and forth as if the singers were making up their blend on the spot. In retrospect, especially as the lyrics sank in, the arrangements seemed far more considered and crafted to support a group of songs that took family, faith, and rural life as their subjects and proceeded to imbue their values with uncertainty. Some songs took on the theme of declining institutions less clearly than others, but the points were made musically as much as lyrically. Tenor Richard Manuel's haunting, lonely voice gave the album much of its frightening aspect, while Rick Danko's and Levon Helm's rough-hewn styles reinforced the songs' rustic fervor. The dominant instrument was Garth Hudson's often icy and majestic organ, while Robbie Robertson's unusual guitar work further destabilized the sound. The result was an album that reflected the turmoil of the late '60s in a way that emphasized the tragedy inherent in the conflicts. Music from Big Pink came off as a shockingly divergent musical statement only a year after the ornate productions of Sgt. Pepper, and initially attracted attention because of the three songs Bob Dylan had either written or co-written. However, as soon as "The Weight" became a minor singles chart entry, the album and the group made their own impact, influencing a movement toward roots styles and country elements in rock. Over time, Music from Big Pink came to be regarded as a watershed work in the history of rock, one that introduced new tones and approaches to the constantly evolving genre. Allmusic.