Shakespeare Richard

Sir Richard Rodney Bennett’s Gothic opera The Mines of Sulphur is reminiscent of suspense thrillers from Edgar Allan Poe to Alfred Hitchcock. Love, longing, and dark as well as light comedy abound in this macabre tale of greed and retribution set in a haunted manor house in the West of England. The title of the tale, taken from Shakespeare’s Othello, refers to the theme of gradual corruption.

There's no lack of glorious melody in Sir Johnin Love, and not just folksong cunningly interwoven. Musically, what comes over strongly, more richly than ever before in this magnificent recording from Richard Hickox, is the way that the writing anticipates later Vaughan Williams, not just the radiant composer of the Fifth Symphony and Serenade to Music, with keychanges of heartstopping beauty, but the composer's darker side, with sharply rhythmic writing.

Recorded during the 2020 lockdown, Richard Boothby explores the solo and duo Viol music of Alfonso Ferrabosco the younger. The lyra viol and it's music is one of the last undiscovered gems of music, and Alfonso Ferrabosco is it's greatest exponent. It is in the category of 'hard to define, easy to recognise': it is at once an instrument, a style of playing and a genre of instrumental music, and, while not exclusively English, by far the largest part of it's repertory is from these isles. A composer favoured by Queen Elizabeth I and James I, Ferrabosco also wrote music for stage works by playwright Ben Jonson, some of which would by heard in performance at Shakespeare's Globe.