Ship Nick

Nick Cave performs solo at the piano, in a film shot this June, at the iconic London venue.

Losing Wolf, aside from the final reprise of "Lucy," but otherwise making no changes in the line-up, the Seeds followed up Tender Prey with the equally brilliant but generally calmer Good Son. At the time of its release there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side. This not only ignored the constant examples of such quieter material all the way back to From Her to Eternity, but Cave's own constant threads of lyrical darkness, whether in terms of romance or something all the more distressing. This said, the softly crooning group vocals and sweet strings on the opening "Foi Na Cruz" certainly would catch some off guard…

Nick Cave is a singular figure in contemporary rock music; he first emerged as punk rock was making its presence known in Australia, but though he's never surrendered his status as a provocateur and a musical outlaw, he quickly abandoned the simplicity of punk for something grander and more literate, though no less punishing in its outlook…

Plenty of artists have built careers out of writing about death, but only a tiny handful have shown the capacity to honestly and eloquently write about grief. Nick Cave knows more than a bit about grief, and he's been willing to stare into that particular abyss, doing so with a particularly keen focus on 2013's Push the Sky Away and 2016's Skeleton Tree, the latter partially informed by the death of his teenage son in 2015. Grief is hardly the only emotion that Cave and his ensemble the Bad Seeds explores on 2019's Ghosteen, but a sense of loss and a heavy heart permeates these songs like a thick fog, as well as the bonds of family and how they can bring us together and keep us apart…

In 2022, Nick Cave and Warren Ellis returned to their native Australia for 16 shows, taking their acclaimed 2021 album Carnage on the road, along with songs from the Nick Cave and The Bad Seeds catalogue. Three performances at the Sydney Opera House on December 16th, 17th and 18th were the climactic shows of an emotional trip, captured for a luminous new live album, Australian Carnage - Live At The Sydney Opera House.

Continuing the creative roll of Tender Prey and The Good Son, Henry's Dream showed the band in fierce and fine fettle once more. The biggest change was with the choice of producer – David Briggs, famed for his work on some of Neil Young's strongest albums. While Cave later thought the experiment didn't work as well as he might have hoped, Briggs does a fine enough job, perhaps not letting the group's full intensity through but still capturing a live feel nonetheless. Cave himself offers up another series of striking, compelling lyrics again exploring love, lust and death. Here, though, some of his images are the strongest he's yet delivered, especially with the near apocalyptic "Papa Won't Leave You, Henry," which begins the album brilliantly as the narrator lurches through a landscape of storms, brothels and urban decay. Equally powerful, if slower and calmer, is Dream's lead single, "Straight to You," with Cave delivering a forceful declaration of love.

Losing Wolf, aside from in the final reprise of "Lucy," but otherwise making no changes in the lineup, the Seeds followed up Tender Prey with the equally brilliant but generally calmer Good Son. At the time of its release, there were more than a few comments that Cave had somehow softened or sold out, given how he was more intent on exploring his dark, cabaret pop stylings than his thrashy, explosive side…

The cover art for Nick Cave & The Bad Seeds’ 17th album couldn’t feel more removed from the man once known as a snarling, terrifying prince of poetic darkness. This heavenly forest with its vibrant flowers, rays of sun and woodland creatures feels comically opposed to anything Cave has ever represented—but perhaps that’s the point. This pastel fairy tale sets the scene for Ghosteen, his most minimalist, supernatural work to date, in which he slips between realms of fantasy and reality as a means to accept life and death, his past and future.