After proving they could keep 10cc alive as a duo act with 1977's successful Deceptive Bends, Eric Stewart and Graham Gouldman pressed on in 1978 with Bloody Tourists. Although it scored some notable hits, it was a less consistent and less memorable affair than its predecessor…
One of the most internationally successful bands in all of heavy metaldom, Auburn, New York-born power metal outfit Manowar – Eric Adams (vocals), Karl Logan (guitars), Joey DeMaio (bass), and Donnie Hamzik (drums) – have sold over nine million records since their inception in 1980. Steeped in the pageantry of heavy metal, the group's approach was designed to be the raw, primal, Viking antithesis of classic rock, and their music followed suit, based on raw, aggressive riffs, with lyrics that were mostly about fighting, violence, honor, and death…
After proving they could keep 10cc alive as a duo act with 1977's successful Deceptive Bends, Eric Stewart and Graham Gouldman pressed on in 1978 with Bloody Tourists. Although it scored some notable hits, it was a less consistent and less memorable affair than its predecessor. The problem with Bloody Tourists is that it feels like a group of session musicians trying to come up with songs in the 10cc style instead of a proper 10cc album. The eccentric humor that once flowed freely feels forced on this album: "Reds In My Bed" is a lame stab at Cold War satire that never really succeeds in saying anything while "Shock On The Tube (Don't Want Love)" tries to be daring with its tale of a subway sex fantasy and instead comes off as smutty and dull…