Shout 01 February 2023

BMG has announced the release of the limited edition box set, ‘Crücial Crüe: The Studio Albums 1981-1989′ featuring the band’s first five Platinum-selling landmark albums pressed on colored vinyl.
1981’s Too Fast For Love will be on white and black splatter, 1983’s Shout At The Devil on yellow and black splatter, 1985’s Theatre Of Pain on hot pink magenta and black splatter, 1987’s Girls, Girls, Girls on cyan blue and black splatter, and 1989’s Dr. Feelgood on Coke bottle green and oxblood splatter. The Crücial Crüe box set will also be released on CD with only 10,000 units of each configuration available globally, available February 17th.

BMG has announced the release of the limited edition box set, ‘Crücial Crüe: The Studio Albums 1981-1989′ featuring the band’s first five Platinum-selling landmark albums pressed on colored vinyl.
1981’s Too Fast For Love will be on white and black splatter, 1983’s Shout At The Devil on yellow and black splatter, 1985’s Theatre Of Pain on hot pink magenta and black splatter, 1987’s Girls, Girls, Girls on cyan blue and black splatter, and 1989’s Dr. Feelgood on Coke bottle green and oxblood splatter. The Crücial Crüe box set will also be released on CD with only 10,000 units of each configuration available globally, available February 17th.

Formed in Bristol in 1969, Stackridge were one of the most unique British bands of the era. Their initial line-up featured Andy Davis (guitar, keyboards, vocals), James Warren (guitar, vocals), James “Crun” Walter (bass), Michael “Mutter” Slater (flute, vocals), Michael Evans (violin) and Billy Bent (drums). Possessing a gift for melody, musicianship and a fine sense of humour and English eccentricity, their concerts were legendary.

Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. The two aspects of his career were related; Ellington used his band as a musical laboratory for his new compositions and shaped his writing specifically to showcase the talents of his bandmembers, many of whom remained with him for long periods. Ellington also wrote film scores and stage musicals, and several of his instrumental works were adapted into songs that became standards. In addition to touring year in and year out, he recorded extensively, resulting in a gigantic body of work that was still being assessed a quarter century after his death.

BMG has announced the release of the limited edition box set, ‘Crücial Crüe: The Studio Albums 1981-1989′ featuring the band’s first five Platinum-selling landmark albums pressed on colored vinyl.
1981’s Too Fast For Love will be on white and black splatter, 1983’s Shout At The Devil on yellow and black splatter, 1985’s Theatre Of Pain on hot pink magenta and black splatter, 1987’s Girls, Girls, Girls on cyan blue and black splatter, and 1989’s Dr. Feelgood on Coke bottle green and oxblood splatter. The Crücial Crüe box set will also be released on CD with only 10,000 units of each configuration available globally, available February 17th.

The work was premiered on May 29, 1913 at the Théâtre des Champs-Élysées in Paris, as a staged production of Serge Diaghilev’s Ballets Russes, with Pierre Monteux conducting. Monteux also led the first SFS performances of the original 1913 version in February 1939. Over the years the score has appeared in various revisions. This performance uses the edition marked “Revised 1947; New edition 1967,” brought out by Boosey & Hawkes, which had just acquired the work’s copyright.

U2 catapulted over its post-punk peers to become the biggest rock & roll band in the world, a title they earned after the release of The Joshua Tree in 1987 and maintained well into the 21st century. Alone among all the groups to emerge from the post-punk era, U2 channeled their yen for moody, experimental aural textures into clearly defined rock anthems and ballads – songs that sounded majestic yet felt personal. Much of that sense of intimacy can be attributed to Bono, a lead singer who gravitates toward grand gestures yet remains grounded by his belief in humanity and the revolutionary power of rock & roll.

U2 catapulted over its post-punk peers to become the biggest rock & roll band in the world, a title they earned after the release of The Joshua Tree in 1987 and maintained well into the 21st century. Alone among all the groups to emerge from the post-punk era, U2 channeled their yen for moody, experimental aural textures into clearly defined rock anthems and ballads – songs that sounded majestic yet felt personal. Much of that sense of intimacy can be attributed to Bono, a lead singer who gravitates toward grand gestures yet remains grounded by his belief in humanity and the revolutionary power of rock & roll.