Keyboardist Russell Ferrante chooses soft keyboard textures, the rhythm section of Haslip and Lawson keep things funky, and Russo’s saxophone comments on the action but doesn’t drive it the way he would on Shades. Otherwise, there’s not much that separates this Samba from their other moves: you have the crossover pop song (“Lonely Weekend”), intoxicating grooves (“Homecoming,” “Deat Beat”) and soulful, smooth jazz (“Daddy’s Gonna Miss You,” “Silverlake”). Since I’m naturally distrustful of jazz, I tend to watch a band that will slip a “Sylvania” and “Silverlake” onto the same album with a raised eyebrow.
The Loyal Seas are Tanya Donelly (Throwing Muses, Breeders, Belly) and Brian Sullivan (Dylan in the Movies). Their debut full-length features 10 glorious originals available on CD, LP and Cassette. Mastered by Sean Glonek at SRG studios (Matthew Sweet, Juliana Hatfield, Waxahatchee), with original artwork by Nicole Anguish at Daykamp Creative (Nada Surf, Letters to Cleo, Lake Street Dive).
The Loyal Seas are Tanya Donelly and Brian Sullivan. For the last decade, trailblazing alternative rock figurehead Tanya Donelly - co-founder of Belly, Throwing Muses and The Breeders - has pursued meaningful collaborations with favorite artists and friends. The resulting work is by turns poignant, delightful and entirely surprising, melding folk, rock, pop and orchestral sounds…
Doves release their fifth long player The Universal Want on Virgin EMI. On lead track Prisoners Doves forces attention upon itself, not least with the poignancy of Goodwin’s repeated greeting to ‘old friends’, but as an unstoppable, driving tale of caution in a world of unending desire. Produced by Doves with Dan Austin and recorded at the band’s own Frank Bough Sound III studios in North West England, the high heat of its Northern Soul beat is fanned by wiry guitar breaks and cuts of ethereal noise contorting beneath layers of stacked vocals. A statuesque musical statement, Prisoners guides Doves’ second chapter to a peak now within touching distance, the lyrics contrasting to express unease with modern ills.