Simon Callaghan

The late Romanticism of Roger Sacheverell Coke will appeal to anyone who enjoys Rachmaninov or Delius, Grainger or Scriabin. If that sounds an intriguingly eclectic mix, Coke establishes his own distinctive voice, and this is an important addition to the Romantic Piano Concerto series.

Just what the Romantic Piano Concerto series does best: three works unlikely to be encountered in the concert hall, in performances by artists who wholeheartedly—and justifiably—believe in the music. The high expectations of this series are amply realized in volume seventy-six.

A prolific composer, respected and influential in his lifetime—the Romantic Piano Concerto again turns up trumps with three concertos by Carl Reinecke.

Following the success of her "head-turning debut" with Orchid Classics in 2022, dynamic young violinist Coco Tomita returns with her new album "Echoes", reuniting with pianist Simon Callaghan in a reflective and intimate exploration of late 19th and 20th century repertoire. Coco first gained widespread recognition as winner of the 2020 BBC Young Musician Strings Category, an event which led to the recording of her debut album, "Origins", which garnered huge critical acclaim and was selected as one of Apple Music's Albums of the Month. She was named as 'One to watch' by Gramophone Magazine and 'Young Classical Star' by Classic FM, while elsewhere her rendition of Irving Berlin's "White Christmas" rapidly amassed over 2 million streams as part of Apple Music's Classical Christmas campaign in December 2022.

The late Romanticism of Roger Sacheverell Coke will appeal to anyone who enjoys Rachmaninov or Delius, Grainger or Scriabin. If that sounds an intriguingly eclectic mix, Coke establishes his own distinctive voice, and this is an important addition to the Romantic Piano Concerto series.

Just what the Romantic Piano Concerto series does best: three works unlikely to be encountered in the concert hall, in performances by artists who wholeheartedly—and justifiably—believe in the music. The high expectations of this series are amply realized in volume seventy-six.