Magdalena Kozena's fourth Pentatone album Folk Songs brings together folk-inspired song cycles from across the globe. Ranging from Berio's Folk Songs to sets by Bartok, Ravel and Montsalvatge, this collection provides a kaleidoscope of twentieth-century orchestral song composition. Kozena performs them together with the Czech Philharmonic under the baton of Sir Simon Rattle. Folk Songs is star mezzo-soprano Magdalena Kozena's fourth album as part of her exclusive collaboration with Pentatone, after having presented the baroque cantatas recital album Il giardino dei sospiri and the songs in chamber-musical setting project Soiree in 2019, as well as Nostalgia together with Yefim Bronfman in 2021.
Magdalena Kozena's fourth Pentatone album Folk Songs brings together folk-inspired song cycles from across the globe. Ranging from Berio's Folk Songs to sets by Bartok, Ravel and Montsalvatge, this collection provides a kaleidoscope of twentieth-century orchestral song composition. Kozena performs them together with the Czech Philharmonic under the baton of Sir Simon Rattle. Folk Songs is star mezzo-soprano Magdalena Kozena's fourth album as part of her exclusive collaboration with Pentatone, after having presented the baroque cantatas recital album Il giardino dei sospiri and the songs in chamber-musical setting project Soiree in 2019, as well as Nostalgia together with Yefim Bronfman in 2021.
Magdalena Kožená presents a recital of Czech songs, together with the Czech Philharmonic under the baton of Sir Simon Rattle. The first impression of Czech songs may be atmospheric nature scenes, or stories about pretty peasant girls and village pranks, but the selection on this album demonstrates that the imagination of Czech song composers stretched far wider. For example, Bohuslav Martinů’s Nipponari were inspired by Japanese culture, whereas his folksy Songs on One Page obtain a deeper meaning knowing that he wrote them in the US, having fled the Nazi threat. His colleagues and contemporaries Hans Krása and Gideon Klein did not manage to get away, and both died in concentration camps.
Magdalena Kožená presents a recital of Czech songs, together with the Czech Philharmonic under the baton of Sir Simon Rattle. The first impression of Czech songs may be atmospheric nature scenes, or stories about pretty peasant girls and village pranks, but the selection on this album demonstrates that the imagination of Czech song composers stretched far wider. For example, Bohuslav Martinů’s Nipponari were inspired by Japanese culture, whereas his folksy Songs on One Page obtain a deeper meaning knowing that he wrote them in the US, having fled the Nazi threat. His colleagues and contemporaries Hans Krása and Gideon Klein did not manage to get away, and both died in concentration camps.
Magdalena Kožená presents a recital of Czech songs, together with the Czech Philharmonic under the baton of Sir Simon Rattle. The first impression of Czech songs may be atmospheric nature scenes, or stories about pretty peasant girls and village pranks, but the selection on this album demonstrates that the imagination of Czech song composers stretched far wider. For example, Bohuslav Martinů’s Nipponari were inspired by Japanese culture, whereas his folksy Songs on One Page obtain a deeper meaning knowing that he wrote them in the US, having fled the Nazi threat. His colleagues and contemporaries Hans Krása and Gideon Klein did not manage to get away, and both died in concentration camps.