The second box dedicated to compiling Simple Minds' Themes series – i.e., dolled-up reissues of the group's original 12" singles – covers August of 1982 through April of 1985, which means that the A-sides originate from the New Gold Dream and Sparkle in the Rain albums…
This new 4CD / 1DVD Super Deluxe Box Set version comprises a host of bonus material including; B-sides and extended mixes; BBC sessions; a previously unreleased Glasgow Barrowlands concert; promo videos; Top Of The Pops and Oxford Road Show footage; a booklet containing sleeve notes and interviews plus track by track annotation and a reproduction concert programme…
Originally released in October 1985, and coming hot on the heels of the global smash single ‘(Don’t You) Forget About Me’ , ‘Once Upon A Time’ was to prove the album that propelled Simple Minds to stratospheric heights of artistic and commercial success. Containing the classic hit singles ‘Alive And Kicking’, ‘All The Things She Said’, ‘Sanctify Yourself’, and ‘Ghostdancing’ the original era-defining Number 1 album now comes as part of this incredible 5CD / 1DVD box set…
Their first proper new release since the commercial breakthrough of Once Upon a Time (a live album intervened) and Simple Minds makes a decidedly, noncommercial follow-up. Street Fighting Years is a moody, dark affair. The music is yearning and most of the songs are politically charged lyrically…
Neon Lights is Simple Minds' covers album. Frankly, these projects often serve little purpose beyond announcing that the artists concerned have run out of original ideas. With the Simple Minds' new album of freshly composed material, Our Secrets Are the Same, now shelved due to legal complications, the Minds have opted to doff their caps in the direction of the heroes of their youth, such as David Bowie, Lou Reed, and the Doors. This is the material the band performed when they were scrawny Glaswegian punks called Johnny & the Self-Abusers. The arrangements here are slightly dated techno-rock efforts, albeit without the expansive pomp and bluster of their stadium-straddling 1980s heyday. Even so, Neon Lights is probably too respectful. Many of these numbers–Echo & the Bunnymen's "Bring on the Dancing Horses," Bowie's "The Man Who Sold the World"–are identikit presentations, while electro-rock assaults on Them's "Gloria" and the Doors "Hello I Love You" are monotonous and misguided. A very interesting revision of Pete Shelley's "Homosapien" and a faithful, powerful reading of the Velvet Underground's "All Tomorrow's Parties" are much better.
After languishing for ten years in the rock wilderness, the Scottish stadium-shakers are back with Black And White 050505, which has been trumpeted by manyas a mighty return to form. And yes, Jim Kerr's vocals are still tremulously emotive, Charlie Burchill is as stirring as ever on his jangling, soaring guitar and the songwriting errs, as always, on the side of supersize anthem. But this spanking new effort, while powerful, boasts a distinctly ethereal quality, softening the stomping stridency of the Simple Minds we knew in the 1980s. Opening track "Home" flirts with an intriguing new sound, haunting yet uplifting with Kerr at his dramatic best, while "Sparkle In The Rain" shimmers with chiming glory. Packed with potential crowd-pleasers, Simple Minds may have stuck wisely with their winning New Gold Dream formula, but they've brought it rocketing up to date. Fans will be gleefully punching the air within minutes. Dissenters, well, they might just be converted.