This is a fine Testament release taken from the archives of Netherlands Radio and enshrines some magnificent Barbirolli performances in somewhat opaque sound. The Satie Gymnopedie's have a delicate and loving sound that reveal Sir John's deep and intrinsic love for the miniaturistic charm of these enchanting pieces. Britten's 'Sinfonia da Requiem' was another Barbirolli speciality and this is one of many recordings available. However it is intriguing to observe the special attention and alertness that the Concertgebouw players impart to the music that takes on an added grandeur. However it is the Dvořák Seventh that is the real highlight of the disc as it is a version to die for! Sir John handles the music with real imagery and heart-on-sleeve emotion that almost rivals Kertész and Sejna, my other preferred versions in this landmark work.
John Barbirolli studied cello as a boy, making his debut public appearance at the age of 12. He received a formal education at Trinity College of Music and the Royal Academy of Music, from which he graduated in 1916. Upon graduation, he found a position in the Queen's Hall Orchestra, becoming its youngest member. He made his professional solo debut as a cellist in Aeolian Hall, London, in 1917. During World War I he joined the British Army; while in the service he got his first taste of conducting by leading an all-volunteer orchestra. After his service ended in 1919, he returned to the Queen's Hall Orchestra. He also resumed performances as a cello soloist, appearing with the Bournemouth Municipal Orchestra. He joined and toured with the International String Quartet beginning in 1923. Soon after, he organized and conducted a chamber orchestra in Chelsea. The British National Opera Company engaged him to conduct on tour.
Edmund Rubbra established his reputation with his first four Symphonies. But in many ways, Rubbra’s Fifth Symphony may be considered his most immediately attractive. It was premiered on 26 January, 1949 by the BBC Symphony Orchestra under Sir Adrian Boult at the Royal Albert Hall, but it was Sir John Barbirolli and the Hallé Orchestra’s recording of the work under the auspices of the British Council – the first recording of any Symphony by Rubbra – which had a notable impact and substantially reinforced the composer’s name internationally.
British conductor Sir John Barbirolli is remembered most for his relationship with the Halle Orchestra in Manchester, having saved the ensemble from dissolution in 1943. He spent the rest of his life with this ensemble. This release features Barbirolli conducting the Halle Orchestra, as well as the Philharmonia Orchestra and the Sinfonia of London. The works on this release are all by English composer Ralph Vaughn Williams, and were recorded between 1957 and 1962.
Saluting an extraordinary composer-conductor relationship, this collection presents almost all Elgar's major orchestral works and the Sea Pictures in the classic recordings made by Sir John Barbirolli towards the end of his life. Barbirolli began as an orchestral cellist, and played under Elgar's baton in the première of the Cello Concerto. Encouraged by Elgar, he moved into conducting and made his mark with the composer's Second Symphony in 1927. Elgar's music was to remain a talisman for the rest of Barbirolli's life.
Born in London of Italian-French parents, Sir John Barbirolli (1899–1970) trained as a cellist and played in theatre and café orchestras before joining the Queen’s Hall Orchestra under Sir Henry Wood in 1916. His conducting career began with the formation of his own orchestra in 1924, and between 1926 and 1933 he was active as an opera conductor at Covent Garden and elsewhere. Orchestral appointments followed: the Scottish Orchestra (1933–36), the New York Philharmonic (1936–42), the Hallé Orchestra (1943–70) and the Houston Symphony (1961–67). Barbirolli guest conducted many of the world’s leading orchestras and was especially admired as an interpreter of the music of Mahler, Sibelius, Elgar, Vaughan Williams, Delius, Puccini and Verdi. He made many outstanding recordings, including the complete Brahms and Sibelius symphonies, as well as operas by Verdi and Puccini and much English repertoire.