This wonderful four-disc, 105-track box of postwar Afro-American gospel releases from the 1940s and 1950s was compiled by record collector and gospel historian Opal Louis Nations, and it perfectly captures what was surely a golden age for black gospel. Gospel as we now know it emerged in the South in the early '30s, an outgrowth of the right to assemble and the advent of gospel songwriters like Thomas A. Dorsey (who had sung previously in the secular arena as Georgia Tom), who brought the blues to church, tossed in some ragtime piano rhythms, and almost single-handedly created the genre to the point that his compositions were simply known as "Dorseys.
Alongside Willie Mae Ford Smith, Sister Rosetta Tharpe is widely acclaimed among the greatest Sanctified gospel singers of her generation; a flamboyant performer whose music often flirted with the blues and swing, she was also one of the most controversial talents of her day, shocking purists with her leap into the secular market – by playing nightclubs and theaters, she not only pushed spiritual music into the mainstream, but in the process also helped pioneer the rise of pop-gospel…