Debut album from Chicago based Kenya McGuire Johnson, ‘My Own Skin’ is a strong, 14 track album of well crafted smooth soul tracks and uptempo, funkier grooves.
Elvin keeps the cornpone good-ole-boy schtick down to an acceptable level on this, perhaps his most serious solo album to date. Although Bishop's good-time approach is still evident on tunes like "I'm Gone," "Right Now Is the Hour," the acoustic "Radio Boogie" (with a guest shot from Charlie Musselwhite) and "Country Blues," the playing and lyrics get much deeper and more serious with "Shady Lane," "The Skin They're In," "Middle Aged Man" and "Long Shadows." Perhaps the most cohesive album he's made to date, revealing an artist coming to grips with his muse, his age and his art, all at once.
Ry Cooder has always believed in the "mutuality in music," and this may be no more evident in his career than with his fifth album, Chicken Skin Music (a Hawaiian colloquialism, synonymous with goosebumps). Even more than usual, Cooder refuses to recognize borders – geographical or musical – presenting "Stand By Me" as a gospel song with a norteño arrangement, or giving the Jim Reeves country-pop classic, "He'll Have to Go," a bolero rhythm, featuring the interplay of Flaco Jimenez's accordion and Pat Rizzo's alto sax. Elsewhere, he teams with a pair of Hawaiian greats – steel guitarist and singer Gabby Pahinui and slack key guitar master Atta Isaacs – on the Hank Snow hit "Yellow Roses" and the beautiful instrumental "Chloe." If Cooder's approach to the music is stylistically diverse, his choice of material certainly follows suit. Bookended by a couple of Leadbelly compositions, Chicken Skin Music sports a collection of songs ranging from the aforementioned tracks to the charming old minstrel/medicine show number "I Got Mine" and the syncopated R&B of "Smack Dab in the Middle".